Children carry firewood on their heads and walk homewards on the outskirts of Rae Bareli, India, Thursday, December 17, 2020. (Photo by Rajesh Kumar Singh/AP Photo)

A small Leatherback sea turtle heads towards the sea during the sunset at Lhoknga beach in Aceh province on February 25, 2023. (Photo by Chaideer Mahyuddin/AFP Photo)

Massangbe Doumbia, 25, a street vendor, carries goods on her head at the Adjame main market in Abidjan, Ivory Coast on March 7, 2024. (Photo by Issouf Sanogo/AFP Photo)

A young girl pulls on her braids during the Red Head Days festival in Tilburg, Netherlands, Saturday, August 30, 2025. (Photo by Virginia Mayo/AP Photo)

An installation entitled “Take my lightning but don't steal my thunder” by British artist Alex Chinneck stands in Covent Garden on October 2, 2014 in London, England. The installation is intended to cast the illusion that a 40-foot section of the Covent Garden's 184-year old market building is floating. “Take my lightning but don't steal my thunder” will be on display from 2nd to 24th October 2014. (Photo by Rob Stothard/Getty Images)

A miner sits front of the statue of St. Barbara, saint of the miners, during last working day at Hungary's last hard coal deep-cast mine at Markushegy December 23, 2014.The underground mine, west of the capital city Budapest, has to stop producing coal at the end of this year in line with a European Union effort to shut down uncompetitive hard coal mines. (Photo by Laszlo Balogh/Reuters)

In this Friday, January 7, 2011 photo, people carry baskets of coal scavenged illegally at an open-cast mine in the village of Bokapahari in the eastern Indian state of Jharkhand where a community of coal scavengers live and work. The world's biggest coal users – China, the United States and India – have boosted coal mining in 2017, in an abrupt departure from last year's record global decline for the heavily polluting fuel and a setback to efforts to rein in climate change emissions. (Photo by Kevin Frayer/AP Photo)

Artist Jason deCaires Taylor’s Museo Atlantico, off Lanzarote, is peopled with concrete casts of refugees and people taking selfies. Drowned world: welcome to Europe’s first undersea sculpture museum. Here: The Raft of Lampedusa, Taylor’s modern-day concrete echo of Géricault’s The Raft of the Medusa. The work has particular significance given the huge movement of refugees across the sea to Europe – and the frequent fatalities that result. (Photo by Jason deCaires Taylor)