Prince Philip, the Duke of Edinburgh meets members of the cast of “Chicago” during a visit to the Adelphi Theatre in this March 4, 1999 file photo in London, England. (Photo by Anwar Hussein/Getty Images)

Tightrope walker Tatian-Mosio Bongonga hangs from a tightrope as she pauses while scaling the Monmartre hill towards the Sacre Coeur Basilica (not pictured) in Paris, France, July 20, 2018. (Photo by Philippe Wojazer/Reuters)

The Royal Air Force Red Arrows perform the “Gypo Split” during their first public aerobatic display since the tragic death of Flt Lt Jon Egging on September 2, 2011 in Chatsworth, England. (Photo by Christopher Furlong/Getty Images)

Behaviour winner; Courting Royals: two royal terns in courtship display by Kristian Bell. Another beautiful morning on a beautiful beach on the Gulf Coast of Florida seemed to prompt these two royal terns to commence an intricate courtship dance. The photograph was taken with a Canon 300mm lens and 2x extender. (Photo by Kristian Bell/Deakin University/Royal Society Publishing Photography Competition 2018)

Truffle hunter Carlo Marenda pets his dog Buc as they search for white truffles through the Langhe Countryside in Roddi, near Alba, north-western Italy, on November 8, 2020. Despite new measures to stop the spread of the Covid-19, truffles hunters are allowed to search in the countryside in Italy. (Photo by Marco Bertorello/AFP Photo)

A model presents a creation from the JianShangYun collection by Chinese designer Shuo Jiang at China Fashion Week in Beijing, Thursday, March 30, 2023. (Photo by Mark Schiefelbein/AP Photo)

Jimmy Bryan of Phoenix, Ariz., gets the checkered victory flag at the Indiana State Fairgrounds September 17, 1955 as he wins the “Hoosier Hundred” for the second consecutive year. Bryan averaged 83.98 miles an hour for the 100-lap, 100-mile AAA big car race. (Photo by AP Photo)

Istanbul-based Ali Gulec is a graphic artist with a difference. His surreal illustrations are like identikit drawings aiming to prosecute the material arts. Working on the margins of what is possible with his medium, Gulec's forms, figures, and situations are remarkable for their clarity and strength of purpose, and maintain an iconographic intensity that would make any rock band bereft of an album cover salivate with admiration.