Mae Zelinsky, left, and Betty O'Beda test ammunition on a .30 caliber rifle at a Remington Arms plant on April 30, 1943. Many women took over jobs that were left vacant when men went overseas to fight in World War II. (Photo by AP Photo)

Actress with the Donbass Opera Theatre prepares to perform Eugene Onegin in Donetsk, Ukraine, Saturday, February 7, 2015. For the few dozen spectators that turn up, the weekly performances at the city's opera house serve as a respite from the war raging outside between Russian-backed separatists and Ukrainian government forces. (Photo by Petr David Josek/AP Photo)

A woman dressed in traditional Oromo costume attends a swearing ceremony of the newly named 72nd Borana Pastoralist chief, “Aba Gada” Guyo Wariyo in Arero, Ethiopia on March 9, 2025. (Photo by Tiksa Negeri/Reuters)

A grasshopper rests on a photographic camera during a meeting in the village of Alto Jamari called to face the threat of armed land grabbers invading the Uru-eu-wau-wau Indigenous Reservation near Campo Novo de Rondonia, Brazil on January 30, 2019. (Photo by Ueslei Marcelino/Reuters)

The pit lane is reflected in the visor of a Mercedes Formula One pit crew member during the second practice session of the Australian F1 Grand Prix at the Albert Park circuit in Melbourne March 13, 2015. REUTERS/Brandon Malone

Film technicians at Pinewood Studios set up a miniature air crash sequence for the Jack Gold film “The Medusa Touch”, using scale models of a Boeing 747 and a skyscraper. (Photo by Alan F. Davis/Keystone/Getty Images). 9th August 1977

A tamed hawk sits on a chair next to a participant during a traditional hunting contest in Almaty, Kazakhstan on December 1, 2018. (Photo by Pavel Mikheyev/Reuters)

“Eye of a toad”. Animal Portraits, Łukasz Bożycki, Poland. Early spring sees a pond near Łukasz’s home city of Warsaw, Poland, full of mating frogs and a few toads. On this March day, Łukasz shared the pond with them for an evening, sitting in the icy water in his chest-high waders, keeping as still as possible, despite the numbing cold, so that the amphibians could get used to him. “I wanted to find a fresh way of portraying the amphibians”, he says, “at water level”. Using a telephoto lens, he focused on one lone toad and waited for the sun to dip almost below the horizon before pressing the shutter, using flash to bring out the details in the shadow. His prize was “the glorious pool of sunset colour” and fiery glow of the toad’s eye. Nikon D80 + 70-300mm f4.5-5.6 lens + extension tube; 1/125 sec at f9 (-2.3 e/v); ISO 100; built-in flash. (Photo by Łukasz Bożycki)