Ukrainian servicemen fire toward Russian troops with a tank at a position in Donetsk region, as Russia's attack on Ukraine continues, Ukraine on August 12, 2022. (Photo by Reuters/Stringer)

A Ukrainian service member smokes near a frontline, amid Russia's attack on Ukraine, in Donetsk region, Ukraine on February 8, 2023. (Photo by Yevhenii Zavhorodnii/Reuters)

Military chaplain Yurii looks on in a trench after an Orthodox Easter service for Ukrainian servicemen at their position, as Russia's attack on Ukraine continues, in Kharkiv region, Ukraine on April 15, 2023. (Photo by Sofiia Gatilova/Reuters)

Ukrainian artillery fires towards the frontline during heavy fighting amid Russia's attack on Ukraine, near Bakhmut, Ukraine on April 13, 2023. (Photo by Kai Pfaffenbach/Reuters)

Ukrainian service members walk to an armoured personnel carrier outside of the frontline town of Bakhmut, amid Russia's attack on Ukraine, in Donetsk region, Ukraine on May 23, 2023. (Photo by Yevhenii Zavhorodnii/Reuters)

Roosters attack each other during a cockfight as part of Jonbeel festival near Jagiroad, in Morigaon district, India, Friday, January 17, 2025. (Photo by Anupam Nath/AP Photo)

“Japanese artist and designer Makoto Tojiki innovatively uses light as his primary medium of expression. In his latest exhibition, No Shadow, Tojiki manipulates thousands of small hanging lights to create 3D images of a man and animals. I’m pretty amazed by how the artist is able to “see” the image while meticulously placing the lights. Makoto’s creativity doesn’t stop at light production; he is also involved in jewelry making and furniture design”. (Photos by Ryo Ishihara/Josh Rothman)

“Eye of a toad”. Animal Portraits, Łukasz Bożycki, Poland. Early spring sees a pond near Łukasz’s home city of Warsaw, Poland, full of mating frogs and a few toads. On this March day, Łukasz shared the pond with them for an evening, sitting in the icy water in his chest-high waders, keeping as still as possible, despite the numbing cold, so that the amphibians could get used to him. “I wanted to find a fresh way of portraying the amphibians”, he says, “at water level”. Using a telephoto lens, he focused on one lone toad and waited for the sun to dip almost below the horizon before pressing the shutter, using flash to bring out the details in the shadow. His prize was “the glorious pool of sunset colour” and fiery glow of the toad’s eye. Nikon D80 + 70-300mm f4.5-5.6 lens + extension tube; 1/125 sec at f9 (-2.3 e/v); ISO 100; built-in flash. (Photo by Łukasz Bożycki)