A panel of 10 high-profile judges from within the surfing industry including seven-time world surfing champion Stephanie Gilmore were tasked with selecting the best of the best surfing photos for the 2020 Nikon surf photography awards. The judges were looking for innovation and creativity, uniqueness, dramatic affect and sensory impact. Here: “Free Fall”. (Photo by Ren Mcgann/2020 Nikon Surf Photography Awards)

Dani Alves of Paris Saint-Germain and Spanish model Joana Sanz are pictured inside the photo booth prior to The Best FIFA Football Awards at Royal Festival Hall on September 24, 2018 in London, England. (Photo by Michael Regan – FIFA/FIFA via Getty Images)

Three children receive “best Christmas present ever” bionic arms in Bristol, England in the second decade of December 2024. Colette Baker, Finley Jarvis and Zoey Pidgeon-Hampton with their new Open Bionics arms. (Photo by Tom Wren/SWNS)

A woman poses for a photo in front of an installation to promote the film “Godzilla Minus One”, which won the Oscar for best visual effects at the Academy Awards in Los Angeles, outside a popular shopping centre and official development in the Hibiya area of Tokyo on March 11, 2024. (Photo by Richard A. Brooks/AFP Photo)

“Happy Feet” the emperor penguin that washed up on the Kapiti Coast last week, undergoes a medical examination at Wellington Zoo on June 29, 2011 in Wellington, New Zealand. The young penguin landed on NZ shores last week, after traveling over 3,000 kilometres from the antarctic. The ill penguin was operated on at Wellington Zoo several times this week to remove sand and sticks from it's stomach with hopes it will recover fully. A team of experts is likely to decide today, whether the bird will remain in captivity in New Zealand, or be transported back the the antarctic. (Photo by Hagen Hopkins/Getty Images)

Moroccan photographer and filmmaker Achraf Baznani carries on the traditions of Surrealism with his wild, imaginative, and wholly impractical imagery. Among his inventive scenarios, small human figures—often the artist himself—appear trapped within glass jars or the size of a camera lens; in other works, Baznani more or less dissects his body, as for example, in one, he cleanly removes his brain from his cranium, or in another, twists off his hand, much as if it were a light bulb. Imparted throughout such works are strong senses of humor and wonder, and as such, Baznani’s art offers a Surrealistic take on life experience in the digital age.