1974: American boxer Muhammad Ali, formerly Cassius Clay, strikes an aggressive pose at a press conference on November 29, 1974. (Photo by Harry Dempster/Express/Getty Images); American actor Will Smith at the Royal Premiere of the film Ali in London on December 11, 2001. Smith starred as Muhammad Ali in the film. (Photo by Dave Hogan/Getty Images)

Marcelo Vieira of Real Madrid celebrates with Sergio Ramos after scoring Real's opening goal during the UEFA Champions League round of 16 second leg match between Real Madrid and Lyon at Estadio Santiago Bernabeu on March 16, 2011 in Madrid, Spain.

Caroline Wozniacki of Denmark serves in her match against Kaia Kanepi of Estonia during day four of the Toray Pan Pacific Open at Ariake Colosseum on September 28, 2011 in Tokyo, Japan. (Photo by Koji Watanabe/Getty Images)

Spectators watch Austria's Stefan Kraft in action during the Viessmann FIS Ski Jumping World Cup Willingen on January 31, 2021 in Willingen, Germany. (Photo by Wolfgang Rattay/Reuters)

Creative imagery, gold winner: Sprats and Bread, Ruediger Schulz, Germany. (Photo by Ruediger Schulz/2021 Bird Photographer of the Year)

Brazil's team performs in the artistic swimming acrobatic routine final at the Pan American Games in Santiago, Chile, Friday, November 3, 2023. (Photo by Matias Delacroix/AP Photo)

Private Wallace Tratford arrives home on leave, Drouin, Victoria, ca. 1944. A.I.F. Private Wallace Tratford, son of 1st Constable James Tratford, Drouin's only policeman (responsible for area of 105 square miles; 3,000 people), arrives home on his first leave from New Guinea battlefronts since he was married.

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)