A policeman stops a cyclist as demonstrators from Extinction Rebellion (XR) protest during the NATO Summit by blocking the A12 highway in The Hague, The Netherlands, 25 June 2025. The Netherlands, for the first time in NATO's history of existence, is hosting a NATO summit. (Photo by Sebastiaan Barel/EPA)

A Palestinian carries children as wounded Palestinians receive treatment at Al-Aqsa Martyrs Hospital, after an Israeli airstrike on a house, in Deir al-Balah, central Gaza Strip on July 8, 2025. (Photo by Ramadan Abed/Reuters)

Fishermen repair brightly coloured nets before their next trip to the River Matla in West Bengal, India in the last decade of July 2025. (Photo by Avishek Das/Solent News & Photo Agency)

British designer Kim Jones (C) walks the runway to greet the audience after the show of the Spring/Summer 2025 Menswear Collection for Dior fashion house during the Paris Fashion Week, in Paris, France, 21 June 2024. The presentation of the Men's collections runs from 18 to 23 June. (Photo by Andre Pain/EPA/EFE)

“Memoirs of a Geisha” – For its May 2013 cover story, Elle Vietnam gets inspired by the Japanese-influence of spring collections and Geisha beauty. Model Tian Yi evokes the theme perfectly in a series of images which juxtapose an urban backdrop with the ornate prints and sleek silhouettes of Prada, Dries van Noten, Dior, Thakoon and more selected by stylist Anna Katsanis. Photographer Oliver Stalmans captures the Chinese beauty in this elegant shoot. (Photo by Oliver Stalmans)

Zhang Jinduo's wife tries on a self-made racing car on the outskirts of Shenyang, Liaoning province May 10, 2008. Zhang, the 53-year-old local farmer made the racing car with the help of his son who is a car mechanic. The car is equipped with a rear-mounted motorcycle engine and can achieve 60-80 km per hour, according to local media. (Photo by Reuters/Stringer)

Created by ceramic artist Mary O’Malley, who studied in Philadelphia and now resides in Long Island, New York, the Bottom Feeders series is particularly inspired by childhood memories and her newly familiar surroundings next to the sea. By combining the imagery of sea creatures with the elegance of tea time, O'Malley envisions a whimsical occasion worthy of such fictional characters a Davy Jones and Alice.