An exotic dancer wears personal protective equipment while taking a tip in a drive-through go-go dance tent offered by the Lucky Devil Lounge strip club in the wake of the coronavirus disease (COVID-19) restrictions in Portland, Oregon, U.S. April 24, 2020. (Photo by Terray Sylvester/Reuters)

A New Orleans Saints fan parties in the stands in the first half of an NFL preseason football game against the Jacksonville Jaguars in New Orleans, Monday, August 23, 2021. Last season the team played with a marginal number of fans in a largely empty Superdome due to the coronavirus pandemic, but this year fans are allowed with proof of vaccination. (Photo by Derick Hingle/AP Photo)

Seen in a long camera exposure, the Caldor Fire burns on Sunday, August 29, 2021, in Eldorado National Forest, Calif. (Photo by Noah Berger/AP Photo)

A woman watches a Mariachi band play aboard a float during the Day of the Dead River parade on October 29, 2021 in San Antonio, Texas. People gathered in San Antonio to celebrate, commemorate, and remember departed loved ones for this year's Día de los Muertos. This year's celebration is newly returned after in-person gatherings and festivities were canceled last year due to COVID-19. (Photo by Brandon Bell/Getty Images)

Kim Anderson photography career, now overseen from his home base in a Swiss mountainside village, began the way of many shutter bugs. His early photos focused on fashion and people, as well as photography for advertising agencies.

Where Children Sleep – stories of diverse children around the world, told through portraits and pictures of their bedrooms by James Mollison. This is a selection from the 56 diptychs in the book (Chris Boot November 2010). The book is written and presented for an audience of 9-13 year olds ‘ intended to interest and engage children in the details of the lives of other children around the world, and the social issues affecting them, while also being a serious photographic essay for an adult audience.

James Kerr started his project “Scorpion Dagger” without any real direction, except for the intention to make one GIF everyday(ish) for one year. He had been making collages for some time and “Scorpion Dagger” started out to be a test of discipline and a way for him to learn how to animate. Making GIFs was a logical evolution to him. The project represents many different things to him, the works from which he draws upon are so powerful and inspirational to him, that he is now nearly obsessed with repurposing them to share his vision of the world, and perhaps inspire people to look at art differently. The project is tremendously personal to him, it’s a lot more than the humor that’s at its surface and he is still trying to work out what “Scorpion Dagger” really is.