Faruk, 17, a Rohingya refugee trader holds betel leaves which are on sale at a stall in Palong Khali refugee camp near Cox's Bazar, Bangladesh, November 3, 2017. He left his village in Myanmar when the military opened fire towards the Rohingya. “I buy this betel leaf from Palong Khali market, in one bundle there are 160 pieces, I buy it for 80 taka and I sell it for 100 taka (1 Bangladeshi Taka = 0.012 US Dollar). Bangladeshi's and I sell for the same rate in the camp. Outside in the local market it is 80 taka per bundle. My problem is that I don't have money so I can't buy anything to eat, I can't buy fish to eat”, he said. (Photo by Hannah McKay/Reuters)

A heifer, tied with a rope, turns during “Toro de Cuerda” in the white village of Villaluenga del Rosario, southern Spain September 3, 2016. Dazzling clusters of cube-shaped houses perched on top of Andalusia's olive tree-studded mountains, the “Pueblos Blancos”, or white villages, of southern Spain are named for the lime wash the buildings are painted with to keep the interiors cool. The labyrinths of narrow alleyways are a throwback to when this region was known as Al-Andalus and was part of a medieval Muslim territory. While this region is stunningly beautiful and a big draw to tourists visiting the south of Spain, it is also one of the poorest areas in the country and has one of the highest unemployment rates in the European Union. (Photo by Marcelo del Pozo/Reuters)

The Wadi al-Salam cemetery, Arabic for “Peace Valley”, is seen in Najaf, south of Baghdad, Iraq August 3, 2016. The world's largest cemetery, in Iraq's Shi'ite holy city of Najaf, is expanding at double its usual rate as Shi'ite militias bury their dead from the war against Islamic State. The Wadi al-Salam cemetery, Arabic for “Peace Valley” has a special place in the hearts of Shi'ite Muslims as it surrounds the Mausoleum of their first imam, Ali Bin Abi Talib, a cousin and son-in-law of Prophet Mohammad. (Photo by Alaa Al-Marjani/Reuters)

Kenyan photographer and art director Barbara Minishi (L) takes pictures of her room mate and fashion stylist Wambui Thimba (R) wearing a creation by a Kenyan fashion designer on the rooftop of their apartment in Nairobi, Kenya, on June 1, 2020. After their scheduled works was cancelled due to the spread of the COVID-19 coronavirus, Minishi and Thimba have started their own project called “the Kenya Fashion & Style Diary in 21 days” to showcase a Kenyan fashion brand everyday for 3 weeks on social networking services since May 22, 2020 by only shooting at their apartment. (Photo by Yasuyoshi Chiba/AFP Photo)

Looking for love by Tony Wu, USA. Highly commended, Animal Portraits. “Accentuating his mature appearance with pastel colours, protruding lips and an outstanding pink forehead, this Asian sheepshead wrasse sets out to impress females and see off rivals, which he will head-butt and bite, near Japan’s remote Sado Island. Individuals start out as females, and when they reach a certain age and size – up to a metre (more than 3 feet) long – can transform into males. Long-lived and slow-growing, the species is intrinsically vulnerable to overfishing”. (Photo by Tony Wu/2018 Wildlife Photographer of the Year)

Sarah Campbell by Nick Knight and other cover shots – The Face Magazine: Culture Shift at the National Portrait Gallery in London on February 19, 2025. A new exhibition that celebrates iconic fashion images and portraits from The Face, a trail-blazing youth culture and style magazine. Bringing together 200 photographs by over 80 photographers from the 80s, 90s, 00s, the exhibition is an opportunity to see many of these images away from the magazine page for the first time. (Photo by Guy Bell/Alamy Live News)

A girl rests while ferrying water as Palestinians leave Beit Hanun in the northern Gaza Strip with their belongings, heading towards Gaza City following Israeli evacuation orders on March 19, 2025. The Israeli military dropped leaflets warning residents of what it called “combat areas” in the north and south of the besieged Palestinian territory, after Israel resumed air strikes following a ceasefire breakdown. (Photo by Bashar Taleb/AFP Photo)

Pedestrians walk past an art installation by French street artist James Colomina called the “The Briefcase” (bottom) at Shibuya Crossing in the Shibuya district of central Tokyo on May 20, 2025. The display shows a red briefcase – a symbol of work and conformity – with arms, legs and a tie poking out on the ground to illustrate a “salaryman” who has lost his identity, swallowed by his daily routine. (Photo by Richard A. Brooks/AFP Photo)