Photographer Emily Dryden and sculptor/actor Zahydé Pietri combine theatricality and organic produce to compose the photographs for their series Fresh Faces. The portraits are made from a wide range of fruit and vegetables and aim to highlight humanity’s diversity – Pietri is from Puerto Rico and Dryden is from New York. Each face has its own name and identity: “We have stories for them, which you can see in the expressions”, says Dryden, “but we decided to keep them to ourselves. We didn’t want to spoil that”. (Photo by Emily Dryden and Zahydé Pietri/The Guardian)

Ucil, a trained monkey, takes part in a street performance on June 1, 2011 in Jakarta, Indonesia. The street performances usually involve the monkeys wearing masks, such as dolls' heads or attire to mimic humans, with the monkeys trained to act out human activities such as shopping, riding bicycles or other simulations of human behaviour. Poverty drives the handlers to exploit the monkeys in the hope of earning small change, but the effect and cruelty to the monkeys is a cause that charities such as the Jakarta Animal Aid Network are increasingly taking up. (Photo by Ulet Ifansasti/Getty Images)

Protesters wearing masks perform during anti-austerity and anti-graft protests in Ljubljana, Slovenia, on January 11, 2013. More than 5,000 Slovenians gathered in the center of Ljubljana on Friday to protest against a corruption scandal that threatens to bring down the government. Slovenia's anti-corruption commission said earlier this week that Prime Minister Janez Jansa had been unable to explain the source of some of his income in recent years. (Photo by Srdjan Zivulovic/Reuters via The Atlantic)

A masked reveller poses during the Venice Carnival in Venice, Italy February 12, 2017. (Photo by Tony Gentile/Reuters)

Rubber masks depicting U.S. President-elect Donald Trump are seen at the Ogawa Studios, a mask making company, in Saitama, Japan, November 21, 2016. (Photo by Toru Hanai/Reuters)

Artist Victor Nunes combines every-day objects with simple illustrations to turn them into pictures of faces, animals and other playful scenes. His images invite us to look at the world differently and find creative images in our surroundings. Nunes’ art is a great example of pareidolia, which is our propensity to give meaning to random objects (like in this post about seeing faces in random objects). It’s the reason why we associate a smiley face with a human face and why some of Nunes’ pieces of popcorn or bread resemble faces to us.