A horse buggy is headed for the stables on a foggy night in New Orleans, Monday, December 18, 2017. (Photo by David Grunfeld/NOLA.com The Times-Picayune via AP Photo)

Touching and dramatic portraits and landscape shots have won prizes at Australia's prestigious photography prize. Photo: Winner of the NSW (New South Wales) prize: Peter Solness said: “I wanted to re-imagine the lost waterways, so I got my light-painting tools to work. In this image, water is being released from the top of the historic Centennial Park No. 2 Reservoir, which was built in 1925 and holds 90 megalitres of water. After 89 years of incarceration these waters now run free!”. (Photo by Peter Solness/Head On)

“Eye of the Tower” by Mehmet Yasa; Verona, Italy. “The staircase and the bell looks like an eye. Architecture can fascinate us in many ways”. (Photo by Mehmet Yasa/Art of Building Photography Awards 2017)

“A Balinese man shows off his pride and joy, a fighting cock, while on a cigarette break after a morning’s work in nearby fields”. (Photo by Coltrane Koh/The Guardian)

Inspired by traditional Indian travelling photography studios, Arthur Crestani photographed the inhabitants of Gurgaon, a city built almost entirely by private companies. Arthur Crestani’s “Bad City Dreams” contrasts the glossy ideal sold by developers with urban reality. Here: Luxury Living Bhiwadi: “Sky Club on 18th Floor”. (Photo by Arthur Crestani/The Guardian)

“After the death of a teenager (14-year-old Elijah Doughty), hundreds of Indigenous locals took to the streets of Kalgoorlie to vent their anger. Danella Bevis captures the grief and outrage of a family and a community. There is raw aggression in an eruption of racial tensions and violence, and in stark contrast she concludes the narrative with a moment of quiet beauty at a dusk vigil”. (Photo by Danella Bevis/The Walkley Foundation)

In Omdurman, the largest city in Sudan, the Qadiriyya Sufi order meets every Friday outside Sheikh Hamed Al Nil mosque, which houses the tomb of their 19th century Sufi leader. (Photo by Ala Kheir, John Burns and Ibrahim Algrefwi/Brownbook)