Do tears of joy look the same as ones of woe—or ones from chopping onions? In “The Topography of Tears,” the Los Angeles-based photographer Rose-Lynn Fisher explores the physical terrain of one hundred tears emitted during a range of emotional states and physical reactions. Using a Zeiss microscope with an attached digital camera, she captures the composition of tears enclosed in glass slides, magnified between 10x and 40x. “There are many factors that determine the look of each tear image, including the viscosity of the tear, the chemistry of the weeper, the settings of the microscope, and the way I process the images afterwards,” she says.

#Petheadz – is an Instagram series by Zach Rose, a 23 year old photographer/filmmaker from Toronto. (Photo by Zach Rose)

Homeless man Alonzo Harrison, 47, takes a nap on a bench at Pershing Square decorated with Christmas lights in the background on Monday, December 4, 2017, in Los Angeles. A homeless crisis of unprecedented proportions is rocking the West Coast, and its victims are being left behind by the very things that mark the region's success: soaring housing costs, rock-bottom vacancy rates and a roaring economy that waits for no one. (Photo by Jae C. Hong/AP Photo)

An innovative photographer attached a camera to a remote-controlled car, allowing him to capture angles of wild lions, rhinos and other animals. Over the last 11 years, Chris Bray has been taking pictures of animals using his toy car contraption while he takes guests on photography tours in Kenya. (Photo by Chris Bray/Caters News Agency)

New York based artist Jason Freeny slices open pop-culture characters to reveal their insides. He takes vinyl toys of annimated icons such as Stewie Griffin, Nemo and Mario, and stuffs them with Sculpey modelling clay. He then carves out bones aqnd organs using dental tools.

A campaign model demonstrates crazy eyes glasses during the International Tokyo Toy Show 2016 in Tokyo, Japan, 09 June 2016. The trade show opens to the general public on 11 and 12 June. (Photo by Christopher Jue/EPA)