Laszlo Koday was born in Hungary in 1945. In 1970 he began as a self-tought painter. The life and work of Henri Rousseau made a deep impression on him. His pictures are fairy tales expressed by pictorial means, human, animal and nature are equally important in them. There are bright, with unmixed pure colours, compositions wich spread calmness and gaiety. Kaday's works are know not only in Hungary but in many countries and are included in many private and public collections. His paintings can be found in galleries abroad, for example the GINA Gallery.

Wrestler Kairi Hojo jumps at her opponent Mieko satomura during their Stardom female professional wrestling show at Korakuen Hall in Tokyo, Japan, July 26, 2015. Professional women's wrestling in Japan means body slams, sweat, and garish costumes. But Japanese rules on hierarchy also come into play, with a culture of deference to veteran fighters. The brutal reality of the ring is masked by a strong fantasy element that feeds its popularity with fans, most of them men. (Photo by Thomas Peter/Reuters)

For more than 2,000 years, women from the Baiga tribe in the highland district of Dindori, in central India’s Madhya Pradesh state, have been tattooed. Sumintra, 25, from Bona village, has the markings across her forehead, legs and arms. The women who work as tattoo artists are knowledgable about the different types of designs and pigments preferred by various tribes, and their meanings are passed to them by their mothers. The tattooing ‘season’ begins with the approach of winter. (Photo by Ronny Sen/WaterAid/The Guardian)

Artist Victor Nunes combines every-day objects with simple illustrations to turn them into pictures of faces, animals and other playful scenes. His images invite us to look at the world differently and find creative images in our surroundings. Nunes’ art is a great example of pareidolia, which is our propensity to give meaning to random objects (like in this post about seeing faces in random objects). It’s the reason why we associate a smiley face with a human face and why some of Nunes’ pieces of popcorn or bread resemble faces to us.

Spectators in Moscow were treated to the site of humorously designed makeshift aircraft plunging into the Muskova River during the Red Bull Flugtag Moscow 2011 competition. 38 teams took part at the Flugtag – which means “flying day” – a competition in which teams in fancy dress attempt to pilot human-powered, home-made flying machines off a six-meter-high platform into water.

Photo: A makeshift aircraft plummets into the Moskva River during the Red Bull Flugtag Moscow 2011 competition. (Photo by Sergei Karpukhin/Reuters)

Is it the surface of the Mars or Venus or an undiscovered planet? Not at all. These pictures aren’t what you think they are. Christopher Jonassen, a Norwegian photographer shot these beautiful and otherworldly series called ‘Devour of frying pan bottoms’, which are visually similar to craters and scars on a planet’s surface. In his series Jonassen refers to a quote of Jean-Paul Satre who said: ‘To eat is to appropriate destruction’ and the meaning of the word ‘devour’, which stands for eating up greedily, destroying, consuming, and wasting.

Student, Shoukria positions a stone for cutting at the Turquoise Mountain Gem cutting class on May 18, 2011, in Kabul, Afghanistan. The mineral resources of Afghanistan are relatively unexplored even with Afghanistan's mineral wealth of coal, copper, gold and iron ore, with precious and semiprecious stones, including high-quality emerald, lapis lazuli, red garnet and ruby. Given the country's remote and rugged terrain, on-going instability plus an inadequate infrastructure and transportation means that mining is still difficult. While many are trying to bring positive changes, Afghanistan's mining industry uses unregulated, primitive methods and outdated equipment. (Photo by Paula Bronstein/Getty Images)

Farhad Moshiri, an Iranian artist working a lot with carpet media using it as a mean to joke about consumerism culture, was one of the participants of the group show Love Me Love Me Not of Yarat! pavilion curate by Dina Nasser-Khadivi (read on her curating Lalla Essaydi's Harem here) at Venice 2013 Art Biennial. The installation consists of more than 500 carpets depicting celebrities-covered magazines from all over the world.