One morning, this Redditor woke up to his front porch completely riddled with holes. It looked like some gang members spewed buckshot at his doorstep during a drive-by. These holes were made by acorn woodpeckers. The little birds created their own granaries or “acorn trees” to store their food. They do so by drilling holes into whatever they can, sometimes resulting in this kind of damage.

Photographer Tyler Shields had become comfortable, a feeling he found “terrible” as an artist. He wanted to do something challenging, something that pushed the human boundaries. So he spent a year documenting heights, fear, energy and falling – a series he calls “Suspense”. Photo: “Balloon”. (Photo by Tyler Shields)

Edinburgh-based physicist-turned-web-designer Tom Beddard was inspired by geometry to create these virtual Fabergé fractals – made up of self-repeating patterns, so that structures within the object resemble the whole. “Within a 3D fractal, there is infinite detail”, says Beddard, 37. “The closer you zoom in, the more structure is revealed”. Beddard rendered the fractals using WebGL, a technology used to animate 3D scenes in a browser.

A jogger is seen running at Hampstead Heath with London in the background on June 1, 2021. Britain sees temperatures increasing for the second day in a row after the mercury hit 25C (77 Fahrenheit) for the warmest day of the year so far on Bank Holiday Monday. (Photo by Joshua Bratt/London News Pictures)

The National Geographic Photo Ark is a travelling exhibition of photographer Joel Sartore’s quest to create a photo archive of biodiversity around the world. So far, Sartore has captured studio portraits of more than 6,000 species – a number that he hopes to double. On 1 July, the ark will open at Melbourne zoo – the first time it has been exhibited in the southern hemisphere. More than 50 portraits will be on display, including many of Australian endangered animals being protected by programs at the zoo itself. These captions have been edited from text supplied by Melbourne zoo. Here: Barking owl. (Photo by Joel Sartore/National Geographic Photo Ark/The Guardian)

Faruk, 17, a Rohingya refugee trader holds betel leaves which are on sale at a stall in Palong Khali refugee camp near Cox's Bazar, Bangladesh, November 3, 2017. He left his village in Myanmar when the military opened fire towards the Rohingya. “I buy this betel leaf from Palong Khali market, in one bundle there are 160 pieces, I buy it for 80 taka and I sell it for 100 taka (1 Bangladeshi Taka = 0.012 US Dollar). Bangladeshi's and I sell for the same rate in the camp. Outside in the local market it is 80 taka per bundle. My problem is that I don't have money so I can't buy anything to eat, I can't buy fish to eat”, he said. (Photo by Hannah McKay/Reuters)

Rush-hour in Russia means one thing for this daredevil: train surfing! The 19-year-old daredevil who goes by the name Kobzarro started train surfing aged 15 as a way of escaping an oppressive family life. Here Kobzarro can be seen balanced on top of a train as it speeds through the wintery Russian environment. Kobzarro is so dedicated to train surfing that she rarely gets inside a train. Even in winter she prefers to travel in this less conventional way. It has resulted in a few run ins with the law, but Kobzarro says it has never resulted in anything more serious than a fine, with many police officers even being interested in the train surfing community. (Photo by Caters News Agency)

Bloodthirsty by Thomas P. Peschak, Germany/South Africa — winner, Behaviour: birds. When rations run short on Wolf Island, in the remote northern Galápagos, the sharp-beaked ground finches become vampires. Their sitting targets are Nazca boobies and other large birds. The finches rely on a scant diet of seeds and insects, which regularly dries up, so they drink blood to survive. ‘I’ve seen more than half a dozen finches drinking from a single Nazca booby,’ says Tom. Rather than leave their nests the boobies tolerate the vampires, and the blood loss doesn’t seem to cause permanent harm. (Photo by Thomas P. Peschak/2018 Wildlife Photographer of the Year)