Photographer Han Youngsoo captured the ordinary people of Korea as the country emerged from war into an age of prosperity. Han Youngsoo: Photographs of Seoul 1956–63 is at the International Center of Photography (ICP), Jersey City, New Jersey, until June 9, 2017. Here: Seoul, Korea. (Photo by Han Youngsoo/The Guardian)

A massive positive cloud-to-ground lightning strike hits in Coolidge, Arizona, 31 August 2016. Thousands of rain drops merge to form mammoth travelling sheets of water in these breathtaking monsoons. Veteran storm chaser and photographer Mike Olbinski captured the stunning beauty of monsoons in timelapses and stills while chasing storm systems across America. (Photo by Mike Olbinski/Barcroft Images)

Portrait couple lover on the beach, Landing aircraft above the beach at Phuket Airport, Mai Khao beach, one of the most popular beaches among tourists in Phuket, Thailand, 2018. (Photo by Pakin Songmor/Getty Images)

Two brown bear cubs born at Whipsnade Zoo. (Photo by Evening Standard/Getty Images). 1970

Event entertainer Holly Egan poses with a guitar using an angle grinder as Kevin Jay and Nigel Cox spin burning steel wool, sending sparks flying under the A13 in Essex, UK on April 4, 2024. (Photo by Kevin Jay/Picture Exclusive)

This composite image shows a sequence, from bottom left to top left, of the moon's transition during a total lunar eclipse on April 15, 2014 in Miami, Florida. People in most of north and south America should be able to witness this year's first total lunar eclipse, which will cause a “blood moon” and is the first of four in a rare Tetrad of eclipses over the next two years. (Photo by Joe Raedle/Getty Images)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)