Iranian bodybuilder Sharareh Nobahari, 30, assists her fitness trainees at a gym in Tehran, Iran on September 20, 2019. (Photo by Nazanin Tabatabaee/Reuters)

A general view shows the wreckage of armed trucks on the streets of Budapest at the time of the uprising against the Soviet-supported Hungarian communist regime in 1956. The picture was taken in the period between October 23 and November 4, 1956. (Photo by Laszlo Almasi/Reuters)

Passengers wait at the departure hall of the Beijing Railway Station in central Beijing, China January 27, 2017 as China gears up for Lunar New Year, when hundreds of millions of people head home. (Photo by Damir Sagolj/Reuters)

An India Christian devotee reenacts the sufferings of Jesus Christ on the occasion of Good Friday in Mumbai, India, Friday, March 29, 2013. Christians all over the world are marking Good Friday, the day when Christ was crucified. (Photo by Rajanish Kakade/AP Photo)

An actor portraying Jesus Christ takes part in the interactive street-theatre Passion play “Il-Mixja” (The Way), one of a series of Holy Week activities in the run-up to Easter, in the grounds of Mount Carmel Mental Hospital in Attard, outside Valletta, Malta, March 22, 2016. (Photo by Darrin Zammit Lupi/Reuters)

A child sleeps inside a makeshift hammock made of a saree which is a tradition Indian costume worn by women, along a road in New Delhi on August 19, 2021. (Photo by Sajjad Hussain/AFP Photo)

Roped up climbers leave the summit of Breithorn at 4,164 metres (13,661 feet) on the ridge marking the border with Switzerland (left) and Italy in the Alpine resort of Zermatt August 4, 2014. Switzerland will vote on November 30 on an initiative from the group Ecopop which proposes a cap on the number of immigrants. The group says it is motivated by concerns about a lack of living space exerting too much pressure on the land and natural resources, rather than by opposition to foreigners. (Photo by Denis Balibouse/Reuters)

Public Space series, 2015. This series by Morteza Niknahad and Behnam Zakeri tends toward cinema, taking an almost cartoonish view of modern life in Iran. This work was inspired by the social life of dolphins. (Photo by Morteza Niknahad and Behnam Zakeri/The Guardian)