Teams face off in the Cartier Elephant Polo Cup November 18, 2006 in Jaipur, in the Indin state of Rajasthan. Cartier hosted the event which was held to highlight the plight of the dwindling numbers of Asian elephants. Indian and international celebrities flew in the India's “Pink City” for the high society event held by the global watch and jewelry giant. The animal rights organization, People for the Ethical Treatment of Animals, “PETA” had planned to protest the match, saying that elephants should not be used for sport. Elephants in Jaipur are commonly used for carrying tourists at historic sites. (Photo by John Moore/Getty Images)

Two Tibetan women wearing traditional striped aprons, elaborate headdresses and abundant jewellery. Original Publication: From a photograph by Shephard. (Photo by Hulton Archive/Getty Images). Circa 1910

Belgium-based filmmaker Vincent Bal turns shadows into opportunities to daydream, creating doodles out of the various shapes.

As you look at the majestic Crater Lake, located in south-central Oregon, United States, it is hard to imagine that thousands of years ago this place was one giant crater with scorching hot lava spilling over the sides. Those were the times of turmoil. Now, however, this place is the essence of tranquility. The lake that was formed, after the volcano died down, is amazingly clear due to the fact that the water isn’t moving at all. No rivers go in or out of the Crater Lake, and the water lost through evaporation is compensated by the rain and snowfall. This lake is also frighteningly deep – 1,943 feet (592 m) at its deepest point – making it the deepest lake in the United States. If you love nature and if you ever come to Oregon, this is truly a sight to behold.

Marcelo Maragni was born in Sao Paulo, Brazil. According to his mother’s idea, he was ment to be an architect in a quest of changing the world. Instead, he preferred to take possession of his father’s camera and learn another craft on his own.

Michael Massaia's photographs are as nostalgic as they are disturbing. His long-exposure images capture a subject matter familiar to most. From a SpongeBob SquarePants popsicle to a Neapolitan ice cream sandwich, he frames the frozen treats most people's summer memories are made of. Yet, Massaia doesn't just realistically render his ice cream. He distorts the childhood favorites by melting them before his lens, until the pops resemble ominous pools of paint or celestial snapshots.