A man pours fake fuel on the face of a protester as they perform at a demonstration against the fossil fuel industry during the UN Climate Change Conference (COP26), in Glasgow, Scotland, Britain, November 7, 2021. (Photo by Yves Herman/Reuters)

A changing of the honor guard ceremony by the Tomb of the Unknown Soldier in Alexander Garden by the Kremlin Wall in Moscow, Russia on May 29, 2020. (Photo by Vladimir Gerdo/TASS)

For his Behind a Little House Project Italian photographer Manuel Cosentino found an unsuspecting muse: a tiny nondescript house on an unexceptional hill. He returned to photograph the small building from the exact same location for nearly two years in order to capture the dramatic changes in weather and light that utterly changed the scenery just beyond the horizon

This latest photo series by Anelia Loubser, a photographer in Cape Town, reminds us that even the simplest change in perspective can change how things look drastically. By selectively cropping and flipping the dark portraits in her “Alienation” series, Loubser makes basic human portraits look like creepy alien close-ups.

Photographer’s Pol Ubeda Hervas perspective in his “I’m not There” series, is going against the flow. While the focus of modern photography is set on the human interaction with his surroundings, Hervas changes thing up by capturing the human absence from said surroundings. The concept behind the series is deeply metaphorical, visual food for though reflecting the situations where the change is irreversible and we cannot even recognize ourselves.

Families and relatives of the dead cry as they identify their family members at a temporary burial ground March 25, 2011 in Higashi Matsushima , Japan. (Photo by Paula Bronstein /Getty Images)

A Republican farmer defending a farm on the outskirts of Irun against Nationalist forces during the Spanish Civil War, 6th September 1936. A comrade lies dead by his side. (Photo by Keystone/Hulton Archive/Getty Images)

The Wildscreen festival is the world’s biggest celebration of screen-based natural history storytelling which takes place every two years in Bristol. Here: “Walrus in Midnight Sun”. Walrus feed mostly on bivalves in productive, shallow and often sandy habitats in the Arctic. This individual, though, arrived on a beach outside Tromsø, northern Norway, and found comfort on a stranded dead sperm whale. After two weeks he approached Audun, and only half a metre away he stretched his tusk forward and touched his hand gently. “This was one of the most memorable moments of my life”, Rikardsen says. He named the 500kg male Buddy. After two months, the dead whale was decomposed and Buddy suddenly disappeared. (Photo by Audun Rikardsen/Wildscreen 2016)