The Arabian mare “Jenny” curiously sniffs at the child of Raphael Wöllstein, who is on his way to the train, on her daily walk through the Fechenheim district of Frankfurt, Germany on March 8, 2019. Her owner opens the stable door for the 22-year-old horse every morning. Then the animal can decide for itself where it wants to spend the day. So that nobody thinks she's escaped, a sign with the inscription “My name is Jenny, didn't run away, just go for a walk” is on the halter. (Photo by Boris Roessler/dpa)

A man wearing a native costume named “Woman Carrying Husband” poses ahead of the Carnival in Sostanj January 15, 2015. Slovenians and members of various ethnological groups celebrate the annual carnival, also known locally as Pust, by wearing traditional masks and costumes to symbolically “chase away” the winter. Prust runs from February 7 to 17 this year. (Photo by Srdjan Zivulovic/Reuters)

First prize. Taken over Bali Barat National Park, Denpasar, Bali. Made with a GoPro Hero 2 camera. (Photo by Capungaero)

Photographer Logan Zillmer took this photo of the harvest moon above a corn field as part of his “Traveler” series on Flickr. (Photo by Logan Zillmer)

An octopus is filmed by the National Oceanic and Atmospheric Administration ship Okeanos Explorer and its robotic sub. (Photo by National Oceanic and Atmospheric Administration)

Becca D'Agostine, Andy Fuhrmann and Dafid Fine came up with a unique way to document their road trip by taking selfies on a couch at each location. Here they are seen at Mount Baker, Wash. (Photo by Caters News)

For France, the trauma of the Algerian War (1954-1962) was not unlike the experience of the Vietnam War for the United States. But, unlike the conflict in Vietnam, few photographic documents exist from that period in Algeria: it is as if the French responded with collective amnesia. Marc Garanger’s Algerian Women is one of the few photographic essays dedicated to that painful period... Photo: A 1960 photograph of an Algerian woman in a French regroupment village. (Photo by Marc Garanger)

The song is presented in this publication in two different executions. The first (performed by monastic chorus) – classical, but bad. The second – national, good. Enjoy.

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