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A chicken seller carries his chickens on his head in the market in Peshawar, Pakistan, August 20, 2015. (Photo by Khuram Parvez/Reuters)

A chicken seller carries his chickens on his head in the market in Peshawar, Pakistan, August 20, 2015. (Photo by Khuram Parvez/Reuters)
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22 Aug 2015 13:02:00
A quirky cartoonist challenged his own creation to a fight – but he could only draw. US artist Alex Solis, 31, from Chicago, Illinois, drew his skull t-shirt-wearing alter ego, who he calls Chuck, smashing his phone and stabbing his finger in his Inkteraction pictures. But Alex got his own back with a punch to Chucks jaw before squashing him against the bottom of the page. (Photo by Alex Solis/Caters News)

A quirky cartoonist challenged his own creation to a fight – but he could only draw. US artist Alex Solis, 31, from Chicago, Illinois, drew his skull t-shirt-wearing alter ego, who he calls Chuck, smashing his phone and stabbing his finger in his Inkteraction pictures. But Alex got his own back with a punch to Chucks jaw before squashing him against the bottom of the page. The ink man tried to get under Chucks skin to win the fight by stretching and pulling the cartoons face as the drawings became more bloody. (Photo by Alex Solis/Caters News)
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23 Feb 2015 12:39:00
Self-titled Pricasso – real name Tim Patch, 71, – is using his very own pen*s to create his masterpiece – and claims to have made close to £500k from his saucy paintings. Here: Pricasso gets to work with his tools - and paints The Sun's newspaper correspondent Amy Nickell with his bits in London, England on November 5, 2019. (Photo by Stewart Williams/The Sun)

Self-titled Pricasso – real name Tim Patch, 71, – is using his very own pen*s to create his masterpiece – and claims to have made close to £500k from his saucy paintings. Here: Pricasso gets to work with his tools - and paints The Sun's newspaper correspondent Amy Nickell with his bits in London, England on November 5, 2019. (Photo by Stewart Williams/The Sun)
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17 Jan 2020 00:05:00
These black-and-white photos are taken from the new book “Armoured Warfare in the First World War 1916 – 1918” by Anthony Tucker-Jones and published by Pen & Sword Military. “Interestingly the British, French and Germans took completely different approaches with varying results”. The British military produced “Little Willie” in Autumn 1915 weighing 18 tonnes, which had a crew of two plus four gunners. “Inspired by a tracked artillery tractor “Little Willie” was referred to as a water tank – hence the name tank – to ensure secrecy”, said Anthony. “This led to the strange looking Mark I with its peculiar rhomboid shape, designed to cross trenches with guns in sponsons on either side. The Germans saw the tank as unchivalrous and were slow to grasp its utility. They favoured the Stormtrooper (specialist soldiers used to infiltrate enemy trenches) and artillery, not the tank”, said Anthony. “However, they didn’t hesitate to make use of captured British tanks. Although the tank helped secure victory and German soldiers dubbed it “Germany’s Downfall” the country was ultimately brought to its knees by the Allies blockade”. Here: British troops hitch a ride on a Mark IV after the massed tank fleet spearheading attack at Cambrai on November 20, 1917. (Photo by Anthony Tucker-Jones/Mediadrumworld.com)

These black-and-white photos are taken from the new book “Armoured Warfare in the First World War 1916 – 1918” by Anthony Tucker-Jones and published by Pen & Sword Military. Here: British troops hitch a ride on a Mark IV after the massed tank fleet spearheading attack at Cambrai on November 20, 1917. (Photo by Anthony Tucker-Jones/Mediadrumworld.com)
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23 Feb 2017 00:02:00
In this April, 2015, photo provided by DC Shoes, daredevil Robbie Maddison in his latest stunt rides his motorcycle across waves in Tahiti, French Polynesia, using ski-like devices on his wheels. (Photo by Tim McKenna/DC Shoes via AP Photo)

In this April, 2015, photo provided by DC Shoes, daredevil Robbie Maddison in his latest stunt rides his motorcycle across waves in Tahiti, French Polynesia, using ski-like devices on his wheels. (Photo by Tim McKenna/DC Shoes via AP Photo)
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04 Aug 2015 12:38:00
Evel Knievel is shown in his rocket before his failed attempt at a highly promoted 3/4-mile leap across Snake River Canyon in Twin Falls, Idaho, on September 8, 1974. The jump failed when the parachute on his rocket malfunctioned, opening prematurely. Knievel was uninjured. (Photo by AP Photo)

Evel Knievel is shown in his rocket before his failed attempt at a highly promoted 3/4-mile leap across Snake River Canyon in Twin Falls, Idaho, on September 8, 1974. The jump failed when the parachute on his rocket malfunctioned, opening prematurely. Knievel was uninjured. (Photo by AP Photo)
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09 Sep 2015 12:49:00
Alex “Torreto” Vellios, a 26-year old barber sports his tattoo of an open razor as he holds a real razor while preparing for his first customer of the day at his Torreto barber shop in Frankfurt, January 6, 2015. (Photo by Kai Pfaffenbach/Reuters)

Alex “Torreto” Vellios, a 26-year old barber sports his tattoo of an open razor as he holds a real razor while preparing for his first customer of the day at his Torreto barber shop in Frankfurt, January 6, 2015. Inspired by a childhood trip to the barbers with his grandfather in Greece, Vellios, a formally trained hairdresser and self-taught barber, fulfilled his dream of opening his own gentleman's barber shop five months ago and has turned it into a successful male grooming and shaving business with customers now waiting up to three to four weeks for an appointment to see him. (Photo by Kai Pfaffenbach/Reuters)
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09 Jan 2015 13:00:00
Inside My Dreams By Achraf Baznani

Moroccan photographer and filmmaker Achraf Baznani carries on the traditions of Surrealism with his wild, imaginative, and wholly impractical imagery. Among his inventive scenarios, small human figures—often the artist himself—appear trapped within glass jars or the size of a camera lens; in other works, Baznani more or less dissects his body, as for example, in one, he cleanly removes his brain from his cranium, or in another, twists off his hand, much as if it were a light bulb. Imparted throughout such works are strong senses of humor and wonder, and as such, Baznani’s art offers a Surrealistic take on life experience in the digital age.
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03 Aug 2014 12:04:00