A polka-dotted foreign roadster for Polka-dot Queen Chili Williams was created by International Motors, a Hollywood automobile importer, shown March 8, 1948. Chili, a sports car enthusiast, requested that the British auto be “personalized”. (Photo by AP Photo)

A gull gives its familiar cry on the roof of a beach bar on the Baltic coast on July 16, 2024. (Photo by Jens Büttner/dpa)

Winner – Animal Portraits: The pose by Mogens Trolle, Denmark. A young male proboscis monkey cocks his head slightly and closes his eyes. Unexpected pale blue eyelids now complement his immaculately groomed auburn hair. He poses for a few seconds as if in meditation. He is a wild visitor to the feeding station at Labuk Bay Proboscis Monkey Sanctuary in Sabah, Borneo – “the most laid-back character”, says Trolle, “quite unlike anything I’ve ever seen on another monkey” – connects us, he hopes, with a fellow primate. (Photo by Mogens Trolle/Wildlife Photographer of the Year 2020)

A New York window cleaner strapped to the side of The RCA Building in the Rockefeller Center, with St Patrick's Cathedral below him to the left. (Photo by William Lovelace/Express/Getty Images). 2nd May 1961

Rosie the elephants proves to be heavier than her companion and tips the park bench when she tries to sit down. (Photo by Mike Lloyd/Getty Images). 1977

Grand prize winner: environmental photographer of the year 2023; also 1st place in the humanity v nature category; and winner of the 2023 public award. Lopé national park, Gabon, 2021. An angry elephant tries to defend itself after it was hit by a train that crosses paths the animals use within Lopé national park. Park officials decided the elephant was too severely injured to be saved. After it was killed, the park director distributed the meat to local people. As the forest loses its carrying capacity to sustain its megafauna, this kind of human-wildlife conflict is increasing. (Photo by Jasper Doest/Environmental Photography Award)

Film technicians at Pinewood Studios set up a miniature air crash sequence for the Jack Gold film “The Medusa Touch”, using scale models of a Boeing 747 and a skyscraper. (Photo by Alan F. Davis/Keystone/Getty Images). 9th August 1977