Geisha women parade down the street to Asakusa Shrine in the compound of Sensoji Temple Friday, May 19, 2017, in Tokyo prior to the annual Sanja Festival, one of the three major festivals in Tokyo. (Photo by Eugene Hoshiko/AP Photo)

A shrine maiden walks in the snow at the Tsurugaoka Hachimangu Shrine in Kamakura, near Tokyo, Thursday, November 24, 2016. Tokyo residents have woken up to the first November snowfall in more than 50 years. An unusually cold air mass brought wet snow to Japan's capital on Thursday. Above-freezing temperatures kept the snow from sticking, but forecasters said there could be an accumulation of up to 2 centimeters (1 inch). The last time it snowed in central Tokyo in November was in 1962. (Photo by Shizuo Kambayashi/AP Photo)

Dancers from Tokyo wearing traditional costumes perform during a celebration event, a day before Japan's Emperor Naruhito and Empress Masako's royal parade in front of the Imperial Palace in Tokyo, Japan November 9, 2019. (Photo by Issei Kato/Reuters)

Caio Souza of Team Brazil competes on vault during Men's Qualification on day one of the Tokyo 2020 Olympic Games at Ariake Gymnastics Centre on July 24, 2021 in Tokyo, Japan. (Photo by Mike Blake/Reuters)

People view live owls at, Owl's Forest which is located on the bottom floor of a building along a bustling street in the Harajuku area on Friday November 04, 2016 in Tokyo, Japan. Visitors can pet owls at the business. It is located next to one of Tokyo's many cat cafes. (Photo by Matt McClain/The Washington Post)

From the rocks of Arnhem Land to the backyards of the Sydney suburbs, from stretching by the pool to waiting for evening prayer, snapshots for the 2015 Australian Life prize demonstrated a nation in colour and motion. Here: Children Cooling Off at Dhiari Homeland. Local children get wet and cool in Arnhem Land. (Photo by Matthew Abbott/Australian Life Prize 2015)

“Animals take on human characteristics in this photo series by Davide Luciano. Davide’s goal was to achieve personification of these animals’ body parts without the use of motion. Using photography’s ability to manipulate time, Davide presents a snippet of these creature “active” lives by photographing a process, thus creating the illusion of life in these lifeless animal limbs. Recreating the uncomfortable into quizzical and whimsical photos that are bold, colorful, and always comical and satirical”. (Photos and caption by Davide Luciano)