A woman holds a portrait of Alexei Navalny and a book titled “A saint against the Reich” as people gather outside the Church of the Icon of the Mother of God Soothe My Sorrows, in Moscow, Russia, Friday, March 1, 2024. Relatives and supporters of Alexei Navalny are bidding farewell to the opposition leader at a funeral in southeastern Moscow, following a battle with authorities over the release of his body after his still-unexplained death in an Arctic penal colony. (Photo by AP Photo)

So “Anonymous Russian homeless vs PSY – GANGNAM STYLE”... In my opinion this is quite sad video (though participants obviously have contrary opinion). However it's you to judge. Video was shot somewhere on open spaces of Russia in September 2012. Enjoy if you can.

“Photocillin is the pseudonym of Dr Andy Teo, physician and people photographer based in the Surrey/Hampshire borders near London in the UK. My style is about showing the beauty of people and the world in which they live in a retro-utopian way”. – Andy Teo. Photo: “Walking six feet tall”. (Photo by Photocillin)

I'm an independent Art Director and Illustrator. I was born in Barcelona, risen in Murcia and currently I live on the spanish capital, Madrid. I have got more than a decade of expertise on my back, illustrating and designing for music bands and publishing houses.

You have to agree, that most of the designs of the license plates in the United States are pretty boring and bland. In most cases, a three-year-old could have done a better job. This is the reason why Jonathan Lawrence has decided to create a project of redesigning the license plates of all 50 states. His designs feature fresh vibrant colors, as well as clean and readable design. These are the license plates you’d want to use if you have anything that is better than a rundown, old pickup truck (no offence to owners of rundown, old pickup trucks). Some of his designs are humorous, some are strict and official; however, all of them look better than the license plates that are in circulation today. (Photo by Jonathan Lawrence)