Astronaut Edward H. White II, pilot for the Gemini-Titan 4 (GT-4) spaceflight, floats in the zero-gravity of space during the third revolution of the GT-4 spacecraft on June 3, 1965. White wears a specially designed spacesuit. His face is shaded by a gold-plated visor to protect him from unfiltered rays of the sun. In his right hand he carries a Hand-Held Self-Maneuvering Unit (HHSMU) that gives him control over his movements in space. White also wears an emergency oxygen chest pack; and he carries a camera mounted on the HHSMU for taking pictures of the sky, Earth and the GT-4 spacecraft. He is secured to the spacecraft by a 25-feet umbilical line and a 23-feet tether line. Both lines are wrapped together in gold tape to form one cord. Astronaut James A. McDivitt, command pilot, remained inside the spacecraft during the extravehicular activity (EVA). Astronaut White died in the Apollo/Saturn 204 fire at Cape Kennedy on January 27, 1967. (Photo by NASA)

UK-based digital artist Dan Lester combines photography and illustration into clever and intriguing images that really make you question what you're looking at. Is it a photograph or a drawing? In actuality, it's both. The digital illustrator manages to bewilder his audience by merging the roles of model and artist into one entity in an innovative fashion. (Photo by Dan Lester)

99 Steps of Progress is an illustrated series of parodies created by the Paris artist collective known as Maentis that put a clever spin on the famed scientific March of Progress drawing. A new illustration is being released in this series every day for 99 days. T-shirts, prints and more of each design are available to purchase on RedBubble.

Chantel Sydnor participates in the annual Sturgis Motorcycle Rally in Sturgis, South Dakota, August 4, 2015. This year marks the 75th anniversary of the rally expected to draw hundreds of thousands of motorcycle enthusiasts from around the world for events throughout the week-long festival, according to organizers. (Photo by Kristina Barker/Reuters)

Istanbul-based Ali Gulec is a graphic artist with a difference. His surreal illustrations are like identikit drawings aiming to prosecute the material arts. Working on the margins of what is possible with his medium, Gulec's forms, figures, and situations are remarkable for their clarity and strength of purpose, and maintain an iconographic intensity that would make any rock band bereft of an album cover salivate with admiration.

A Chinese stripper dances during a funeral in Handan city, Hebei province, China on March 2015. The Chinese Ministry of Culture has announced plans to work closely with the police to eliminate risqué performances, including strippers, at funeral. The aim of such entertainment is to draw more mourners to the ceremony. (Photo by Imaginechina/Rex Features/Shutterstock)

A schoolgirl stands next to the Kenya-Uganda railway line during the partial reopening of schools, after the government scrapped plans to cancel the academic year due to the coronavirus disease (COVID-19) pandemic, in Kibera slums of Nairobi, Kenya on October 12, 2020. (Photo by Thomas Mukoya/Reuters)