Men work at a makeshift oil refinery site in Marchmarin town, southern countryside of Idlib, Syria December 16, 2015. The refinery site, owned by Yousef Ayoub, 34, has been active for 4 months. Ayoub says that he gets the crude oil from Islamic State-controlled areas in Deir al-Zor province and Iraq. The price for a barrel of crude oil varies and is controlled by the Islamic State, but it is currently at $44 dollars per barrel, he said. (Photo by Khalil Ashawi/Reuters)

A worker settles mud in a mold to make bricks at a brick factory in Tixtla, on the outskirts of Chilpancingo, in the Guerrero state, January 26, 2015. The worker earns a salary of 15 Mexican pesos, or one dollar, for every 100 bricks made on a working day of at least 5 hours. (Photo by Jorge Dan Lopez/Reuters)

A gallery staff member walks past Fleeting Monument (1985) by artist Cornelia Parker, one of the works on display at Yorkshire Sculpture Parks Longside Gallery as part of the “Making It: Sculpture in Britain 1977-1986” exhibition on March 27, 2015 in Barnsley, England. (Photo by Christopher Furlong/Getty Images)

Model Daisy Lowe has been camouflaged into a wall of daisies by world-leading body paint artist Carolyn Roper, to showcase the Samsung QLED TV's Ambient Mode feature in London, United Kingdom on August 2, 2018. The work took eight hours to complete. (Photo by Matt Alexander/PA Wire)

A woman is helped out of the wrecked car of a train that derailed at the station of Pioltello Limito, on the outskirts of Milan, Italy, Thursday, January 25, 2018. Italian officials said that the commuter train derailed in northern Italy, killing some people, seriously injuring 10 and trapping others heading into Milan at the start of the work day. (Photo by AP Photo/Stringer)

Moroccan photographer and filmmaker Achraf Baznani carries on the traditions of Surrealism with his wild, imaginative, and wholly impractical imagery. Among his inventive scenarios, small human figures—often the artist himself—appear trapped within glass jars or the size of a camera lens; in other works, Baznani more or less dissects his body, as for example, in one, he cleanly removes his brain from his cranium, or in another, twists off his hand, much as if it were a light bulb. Imparted throughout such works are strong senses of humor and wonder, and as such, Baznani’s art offers a Surrealistic take on life experience in the digital age.

A woman presents an Afro-Colombian hairstyle during the 9th contest of Afro-hairdressers, in Cali, Valle del Cauca departament, Colombia, on May 12, 2013. The Afro hairstyles have their origins in the time of slavery, when women sat to comb their children hair after work. (Photo by Luis Robayo/AFP Photo)