Women in Kimono holding an umbrella walk on a street at Ginza shopping district in Tokyo, Japan, March 31, 2016. (Photo by Yuya Shino/Reuters)

Young women prepare for Notting Hill Carnival on August 27, 2017 in London, England. The Notting Hill Carnival began with a special ceremony of remembrance following the Grenfell fire tragedy. (Photo by Leon Neal/Getty Images)

School children take photographs as Queen Elizabeth II arrives in Valentine's Park Redbridge as part of her Diamond Jubilee tour of the UK on March 29, 2012 in London, England. (Photo by Chris Jackson/Getty Images)

“A Balinese man shows off his pride and joy, a fighting cock, while on a cigarette break after a morning’s work in nearby fields”. (Photo by Coltrane Koh/The Guardian)

Indian Runner ducks march past farm buildings at the Vergenoegd wine estate near Cape Town, South Africa, May 16, 2016. Each day, a quack squad of killer ducks are released for the first of two sorties at South Africa's Vergenoegd wine farm in Stellenbosch. Their mission – seek and destroy thousands of pests out to ruin the season's harvest. Fanning out across the vineyards, some 1,000 Indian Runner ducks hone in on their hidden targets with uncanny precision, locating the tiny white dune snails feasting on budding vines. (Photo by Mike Hutchings/Reuters)

As part of FLAIR Melbourne – a Flinders Lane art festival – Melbourne’s Lisa Minogue presents stylised photographic portraits of Australian women of colour, their faces painted vibrantly to accentuate their individuality and encourage the viewer to study each face more closely. Minogue asked each woman the same question: “What do the words “coloured girl” mean to you?”. (Photo by Lisa Minogue/The Guardian)

Nermin Halilagic, 38, poses with kitchen utensils in Bihac, Bosnia and Herzegovina, January 23, 2017. Halilagic discovered earlier this year that he had the unusual ability to attach items to his body using what he says is a special energy radiated from his body. (Photo by Dado Ruvic/Reuters)

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)