A train attendant helps a passenger to adjust her seat at the business class carriage on a CRH 380A bullet train Thursday, June 16, 2011. (Photo by Reuters/China Daily)

Mohammad, a 13-year-old fighter from the “Free Syrian Army”, plays with a cat in Aleppo's Bustan al-Basha district, Syria October 28, 2013. Mohammad joined the Free Syrian Army after his father died during clashes with the Syrian regime. The gun he is using was his father's. (Photo by Molhem Barakat/Reuters)

Performance of the actress Asia Argento dedicated to the exhibition of the tattoo artist Marco Manzo at the Vittoriano museum in Rome, Italy on December 11, 2018. (Photo by Barbara Amendola/IPA Press)

In this October 29, 2013 photo, Daniel smokes marijuana inside his apartment where he uses a hydroponics system to grow his weed in Mexico City. “I'm not a narco, dude. I just like to smoke”, said Daniel, who spoke on condition that his last name not be used because, he said, his home-grow operation is "super-illegal" despite being for personal use only. (Photo by Eduardo Verdugo/AP Photo)

Signage is displayed at the Stuff Magazine September fall fashion issue preview August 14, 2007 in New York City. Ivanka Trump appears on the cover of the issue. (Photo by Peter Kramer/Getty Images)

A North Korean soldier kicks a pole along the bank of Yalu River near the North Korean town of Sinuiju, opposite the Chinese border city of Dandong, February 4, 2014. (Photo by Jacky Chen/Reuters)

Tens of thousands of HIV positive prostitutes in the slums of Lagos to ensure a rapid spread of the epidemic. “If you arrive by car, you can smell the HIV virus outside”, joked my driver as we are on track to Badia a criminal slums of Lagos. Badia is a corruption of “Bad Area”. Nigerians have a lack of everything, except black humor. The poor West African country Nigeria, with a population of 140 million people, after India and South Africa the highest number of people with HIV / AIDS. (Photo by Ton Koene/Exclusivepix Media)

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)