Facade of the “Porcelain House”, built by Chinese collector Zhang Lianzhi, on November 1, 2008 in the Heping district of Tianjin, China. Over 400 million porcelain fragments, 5,000 ancient vases, 4,000 antique china dishes and bowls, over 20 tons of crystalline rocks and agate, 400 white marble stone carvings were incorporated in the five year refurbishment of the unique French styled house. (Photo by China Photos/Getty Images)

After some days with temperatures below freezing point, I was out skating at some lakes at the outskirts of Oslo in Norway. After a while I noticed something on the ice. To my astonishment it was a dead frozen frog.

Sandrine Kerfante has had a fascination with “doubles” ever since meeting her mother’s twin as a child. In 2012, this lifelong captivation inspired her to create a blog called twin-niwt, which celebrates photographs of doubles in all their forms. “I’m fascinated by the idea of the duo, repetition, symmetry, reflection, mirror games and all the symbolism associated with it”, she says. “I think it’s a topic often present in photography, more or less consciously”. (Photo by Sandrine Kerfante/The Guardian)

Racegoers shield themselves from the rain and wind at the Fairyhouse Easter Festival in Fairyhouse, Co. Meath, Ireland on April 10, 2023. (Photo by Morgan Treacy/Inpho)

They were taken by Adrian Limani, 21, who got his brother to leap for the sake of his art a few weeks ago in Raince, Serbia.

A visitor tries out the new glass Skywalk at the top of the refurbished Blackpool Tower on September 1, 2011 in Blackpool, England. After a GBP Ј20 million refurbishment, the iconic seaside Blackpool Tower opened today to the general public. The observation deck at the top of the tower becomes the Blackpool Tower Eye and features a skywalk made of glass overlooking the sea and the promenade. The opening is part of Blackpool's GBP Ј250 million GBP regeneration project. (Photo by Christopher Furlong/Getty Images)

Spanish artist Romulo Celdran (b. 1973) brings exquisite technical skill, a fastidious eye, and a scientific attention to detail to both his mixed-media drawings on board and his larger-than-life sculptures of quotidian objects.