Competitors in the Big Air challenge at the Proryv-2016 festival of extreme sports in Moscow, Russia on March 27, 2016. (Photo by Xinhua/Rex Features/Shutterstock)
A woman visits oil on canvas paintings by Ayesha Sultana of the Experimenter gallery in 14th edition of Art Dubai at Dubai International Financial Centre, DIFC, which features 50 galleries from 31 countries with a focus on modern and contemporary art, in Dubai, United Arab Emirates, Tuesday, March 30, 2021. (Photo by Kamran Jebreili/AP Photo)
Puppet corgis created by Coventry based events production company Imagineer sit patiently on May 5, 2022 as the company prepares its contribution to The Queen's Platinum Jubilee Pageant next month. The corgis are part of the company's show “The Queen's Favourites”. (Photo by Peter Lopeman/Alamy Live News)
An empty beer bottle stands in front of the buildings of the banking district in Frankfurt, Germany, Friday, May 21, 2021. All people gathering on the square for drinks and food left when the police started checking if they are abiding by the coronavirus restrictions. (Photo by Michael Probst/AP Photo)
The calm before storm Bert, with the sunrise on November 22, 2024 through Durdle Door in Dorset, UK, the sun beams through the famous rock arch on the Jurassic Coastline, a shot known as “Through the Keyhole”. It only happens from the end of November to early January and not that often as clear skies are needed on the horizon for the sun to shine through. (Photo by Steve Hogan/Picture Exclusive)
Giraffes at sunrise at the Loisaba Conservancy in Laikipia, Kenya in the first decade of December 2025. (Photo by Andrew Mason/Solent News & Photo Agency)
An exotic dancer performs in a street during an “Urban intervention” publicity event for an adult club in Santiago, Chile, January 26, 2016. (Photo by Ivan Alvarado/Reuters)
From a height of three meters, porcelain figurines are dropped on the ground, and the sound they make when they hit trips the shutter release. The result: razor-sharp images of disturbing beauty—temporary sculptures made visible to the human eye by high-speed photography technology. The porcelain statuette bursting into pieces isn't what really captures the attention; the fascination lies in the genesis of a dynamic figure that replaces the static pose. In contrast to the inertness of the intact kitsch figurines Klimas started out with, the photographs of their destruction possess a powerfully narrative character.