Breath of an Arctic fox by Marco Gaiotti, Italy. Marco was watching this little Arctic fox as it incessantly called another nearby. Gradually he noticed the fox’s wet breath was quickly freezing in the air after each call. It was late winter in Spitsbergen, Svalbard, and the air was -35C (-31F). Photographing Arctic foxes is often frustrating, as they are normally running around fast in search of food, but this one was very relaxed and let Marco get close enough to focus on it, with the light glowing perfectly in the background. (Photo by Marco Gaiotti/Wildlife Photographer of the Year 2021)

“Hey! I'm Thomas Shahan, an artist and macrophotographer from Oklahoma. In my spare time over the past few years, I've been shooting portraiture of local arthropods. Why would I devote countless hours to tramping through forests, fields and the like searching for insects and spiders? Well, despite some common beliefs, arthropods (members of the phylum Arthropoda – insects, spiders, crustaceans...) represent an endlessly varied, wildly beautiful and fascinating bunch of animals with surprisingly personable faces and behavior. Often, all it takes is simply inspecting their lives on a closer level to turn repulsion to reverence”. – Thomas Shahan

Photo: Adult Male Jumping Spider at Sunset – Phidippus mystaceus. (Photo by Thomas Shahan; Source: Flickr)

“An Oscar nominated documentary maker and war photographer who learnt his trade at Cardiff University has been killed while covering the conflict in Lybia. Tim Hetherington is understood to have died in a rocket-propelled grenade attack in the Libyan city of Misrata. Earlier this year the 40-year-old was nominated in the Best Documentary Feature category at the Academy Awards for the war documentary Restrepo which he co-directed”. – WalesOnline

Photo: Tim Hetherington arrives at the 83rd Annual Academy Awards – Nominated Docs! Reception on February 23, 2011 in Beverly Hills, California. (Photo by Valerie Macon/Getty Images)

A photographer has shot this series of scenic selfies – scaling freezing mountain tops to snap himself in front of stunning scenery. Paul Zizkas breath-taking work features himself in front of beautiful backdrops such as shimmering lakes, snowy mountains and vibrant auroras. He has travelled to a number of different locations worldwide including Canada, New Zealand, Niue the South Pacific and French Polynesia. Explorer Paul, from Banff, Alberta, Canada, saw his selfies go viral early in 2014 – and has now unveiled his latest work. He said: I find that sometimes including a person in a landscape scene adds to the photograph – that it conveys a different story. Here: lake Minnewanka, Banff National Park, Alberta, Canada. (Photo by Paul Zizkas/Caters News)

These are the stunning images of what looks like a picturesque winter wonderland – but actually shot in the middle of summer. Amateur photographer Catherine Perkinton, 45, has spent the summer travelling around the country to create the fabulous images by utilising infra-red. (Photo by Catherine Perkinton/SWNS/ABACAPress)

Wildlife photographer Kevin Fleming has covered the world as a photographer for National Geographic and has been recognized America’s Best Observer by Readers Digest. His assignments have taken him into war and famine in Somalia, to the Mediterranean for a re-creation of the voyage of Ulysses and put him on a dogsled crossing the Canadian arctic. Now Kevin is working on his 27th book. Here: Red fox kits look out from a hollow log. (Photo by Kevin Fleming)

“Life in War” (FotoEvidence Press) by Iranian photographer Majid Saeedi is probably the only book about Afghanistan that doesn’t show images of war. For ten years his camera photographed daily life in the context of war. His photographs reveal the humanity of a people living through decades of war. Here: Afghan men escape increasing summer temperatures by wading in the Qarga reservoir on July 9, 2010 in a suburb of Kabul, Afghanistan. (Photo by Majid Saeedi/Getty Images)

“Guns have a massive amount of power associated with them. They are designed to kill. We decided to photograph portraits of them in a similar way you might photograph a powerful person. Like powerful people, pistols have this “perfect” quality that we wanted to explore. As we started shooting them, we could see flaws in their design. Metal burring around the barrels, scratches in the metal. This imperfection and detail were very interesting to us; connecting us back to these images as portraits”. – Peter Andrew. (Photo by Peter Andrew/Simon Duffy/Derek Blais)