Spectators using virtual reality glasses at the “Los Ultimos Dias De Pompeia” Exhibition at Matadero on September 06, 2023 in Madrid, Spain. (Photo by Borja B. Hojas/Getty Images)

A signing session during the International tattoo convention at Tobacco Dock in east London, England on September 27, 2019. (Photo by Steve Parkins/Rex Features/Shutterstock)

The Mausoleum of the Giants, an immersive solo show of monumental sculptures by the artist Phlegm, is installed at Taylor’s Eye Witness Works in Sheffield, England on March 14, 2019. (Photo by Danny Lawson/PA Wire Press Association)

Serbia's Milica Mijatovic falls during the Women's World Cup Group H qualifying soccer match between Serbia and Germany at Sports Center of FA of Serbia stadium in Stara Pazova, near Belgrade, Serbia, Tuesday, April 12, 2022. (Photo by Darko Vojinovic/AP Photo)

Paul Taylor Dance Company dancers Alex Clayton and Lisa Borres perform a scene from “Fibers” during a dress rehearsal on June 14, 2022. The Paul Taylor Dance Company (PTDC) will be at the Joyce June 14-19, 2022, with dances featuring early works choreographed by Paul Taylor. (Photo by Timothy A. Clary/AFP Photo)

Joaldunaks return in a trailer to their town at the end of Carnival between of the Pyrenees villages of Ituren and Zubieta, northern Spain, Monday, February 1, 2016. In one of the most ancient carnivals in Europe, dating from before the Roman empire, companies of Joaldunak (cowbells) made up of residents of two towns, Ituren and Zubieta, parade the streets costumed in sandals, lace petticoats, sheepskins around the waist and shoulders, coloured neckerchiefs, conical caps with ribbons and a hyssop of horsehair in their right hands and cowbells hung across their lower back. (Photo by Alvaro Barrientos/AP Photo)

A lion statue that sits outside the New York Public Library building wears a mask in the Manhattan borough of New York City, New York, U.S., September 28, 2020. (Photo by Carlo Allegri/Reuters)

The Tree Projects team spent 67 days documenting one eucalyptus regnans in the Styx valley of Tasmania. Using a combination of tree-climbing and elaborate arboreal rigging techniques, they produced an intimate portrait from an impossible perspective of one of the world’s largest individual flowering trees, which goes by several common names. These photos document the process that resulted in an extraordinary ultra high-definition photograph. Here: Haley nears the top of the tree. (Photo by Steven Pearce/The Tree Projects/The Guardian)