A girl plays at the West Side Hallo Fest, a Halloween festival in Bucharest, Romania, Friday, October 27, 2023. Tens of thousands streamed last weekend to Bucharest's Angels' Island peninsula for what was the biggest Halloween festival in the Eastern European nation since the fall of Communism. (Photo by Vadim Ghirda/AP Photo)

A Brussels Airlines aircraft prepares for landing in Cointrin airport during sunrise over the Mont Blanc in Geneva December 1, 2011. (Photo by Denis Balibouse/Reuters)

A sign that reads “No more massacres LGBT” is seen to remember the victims of the Pulse nightclub mass shooting in Orlando, near the U.S. Embassy in Mexico City, Mexico, June 14, 2016. (Photo by Edgard Garrido/Reuters)

Dancers wait in the wings before performing in a full-dress rehearsal at the Moulin Rouge in Paris on September 8, 2021, two days ahead of the reopening of the cabaret following an 18-month closure amid the COVID-19 pandemic. Closed for a year and a half due to the pandemic, the Moulin Rouge and Le Lido, emblems of the crazy Parisian nights since 1889, are finally reopening. (Photo by Christophe Archambault/AFP Photo)

Participants make kimchi during an event where soldiers from the US, South Korea and residents collaborated by making the side dish for needy members of the local community in Dongducheon, Gyeonggi Province, about 38 kilometers north of Seoul, on November 22, 2023. Participants produced 2,500 kilograms of fresh kimchi, which was divided into 250 boxes and distributed to needy households in the local community after the event. (Photo by Anthony Wallace/AFP Photo)

Aenne Schwarz as a “daughter” and Anna Sophie Krenn on Thursday, September 8, 2017, during the photoprobe of “Paradies flood / Lost symphony / Part one of the klimatrilogie” in the Akademietheater in Vienna, Austria. The piece premiered on September 9, 2017. (Photo by Georg Hochmuth/APA)

“Michael Jackson, the performer, consistently transcended racial and gender perceptions; Michael Jackson tribute artists, impersonators and lookalikes reflect this in that they embody a wide span of inspiration and intention. The current crop of impersonators are people who take great care in their appearance – some spend a lot of money and time on their make up and clothing, while others are more concerned with the physical gestures associated with his dances while expressing very little concern in the creation of an illusion”. – Lorena Turner. (Photo and caption by Lorena Turner)

Glamour model and actress Sabrina seated on the knee of Arthur Askey. (Photo by Keystone/Getty Images). 1955