Winner, photojournalism. Elephant in the room, by Adam Oswell, Australia Zoo. Visitors watch a young elephant performing underwater. Oswell was disturbed by this scene, and organisations concerned with the welfare of captive elephants say performances like this encourage unnatural behaviour. In Thailand, there are now more elephants in captivity than in the wild. With the Covid pandemic causing tourism to collapse, elephant sanctuaries are becoming overwhelmed with animals that can no longer be looked after by their owners. (Photo by Adam Oswell/Wildlife Photographer of the Year 2021)

This time exposure photo provided by the Santa Barbara County Fire Department shows a series of lightning strikes over Santa Barbara, Calif., seen from Stearns Wharf in the city's harbor, Tuesday evening, March 5, 2019. A storm soaking California on Wednesday could trigger mudslides in wildfire burn areas where thousands of residents are under evacuation orders, authorities warned. (Photo by Mike Eliason/Santa Barbara County Fire Department via AP Photo)

These images are enough to make viewers do a double-take. Although they look like vibrant works of abstract art, they are actually drone photographs taken by brothers J.P. and Mike Andrews, from near Wolverhampton, England. Here: Kickflip. (Photo by J.P. Andrews/Mike Andrews/Caters News Agency)

An echidna light sculpture eating ants is displayed during a media preview of Vivid Sydney illuminated displays at Taronga Zoo on May 24, 2016 in Sydney, Australia. Vivid is lighting up at Taronga Zoo for the first time with ten giant animal sculptures representing critical species the zoo is committed to protecting. Held annually, Vivid Sydney is the world's largest festival of light, music and ideas running for 23 days. (Photo by Cameron Spencer/Getty Images)

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)

Children carrying guns and flags or wearing Soviet-style uniforms have become a common sight at Victory Day parades and other events in Russian-controlled Crimea. Russian and Ukrainian human rights activists have warned that such displays point to a growing trend of promoting Russian patriotism among kids on the Crimean peninsula, annexed from Ukraine in 2014. Here: A young Crimean girl wears military-type clothes during a Victory Day celebration in Sevastopol on May 9, 2018. (Photo by Oleksandra Surgan/Radio Free Europe/Radio Liberty)

Enthusiast dressed as zombies take part in the Zombie Walk event on September 14, 2019 in the eastern French city of Strasbourg, within the framework of the 12th edition of the European Fantastic Film festival, which runs from September 14 to 22. (Photo by Frederick Florin/AFP Photo)

An ice hockey-themed crew in the 2018 Zaplyv festival of handmade inflatables in 300 Years of St Petersburg Park in St Petersburg, Russia on August 5, 2018. (Photo by Peter Kovalev/TASS)