A Pakistan fan poses for a photo during the Group Stage match of the ICC Cricket World Cup 2019 between Australia and Pakistan at The County Ground on June 12, 2019 in Taunton, England. (Photo by Alex Davidson/Getty Images)

Artist Leiomy performs at the Sissy Ball in Sydney, Australia on February 24, 2018. The Sissy Ball is a celebration of voguing – a style of modern dance, a form of self-expression, and a powerful movement that has become a representation for the sociopolitical struggles of the LGBTQI+ community. (Photo by Ken Leanfore/Red Bull Music)

The Boston Celtics dancers perform during the second quarter of the game between the Boston Celtics and the Miami Heat at TD Garden in Boston, Massachusetts on December 2, 2024. (Photo by Winslow Townson/USA Today Sports)

A member falls as Team Kazakhstan competes during the women's team pursuit speed skating final at the 9th Asian Winter Games in Harbin, China on Tuesday, February 11, 2025. (Photo by Aaron Favila/AP Photo)

A model waits backstage before participating in AFI Joburg Fashion Week show with the theme #AfroAsia, in Johannesburg, South Africa October 4, 2018. Picture taken October 4, 2018. (Photo by Siphiwe Sibeko/Reuters)

A woman walks through a flooded alleyway, after a heavy rain in Port-au-Prince, Haiti, Saturday, June 3, 2023. (Photo by Joseph Odelyn/AP Photo)

A model is seen backstage before the Spring/Summer 2019 women's ready-to-wear collection show for Y-Vision X Jessie & Jane during Paris Fashion Week in Paris, France, October 1, 2018. (Photo by Stephane Mahe/Reuters)

“The Family of Man” opened at The Museum of Modern Art in January 1955 and was curated by Edward Steichen. It was groundbreaking in its scope – 503 images by 273 photographers from 68 countries – as well as in the numbers of people who experienced it on its tour through 88 venues in 37 countries. The touring exhibit drew over 9 million people and the accompanying catalog sold over 2.5 million copies. Here: “Coney Island, New York”, by American photographer Garry Winogrand, circa 1952. (Photo by Garry Winogrand)