A person wears socks on shoes, as people queue to enter Liberty Inauguration ball, on inauguration day of Donald Trump's second presidential term, in Washington, U.S. January 20, 2025. (Photo by Jeenah Moon/Reuters)

A participant runs in high-heels as she competes in the Stiletto Run in Bucharest June 14, 2014. The annual 50 metres race requires participants to wear high-heels that are at least 7cm tall. (Photo by Bogdan Cristel/Reuters)

Shaolin martial arts students perform Kung Fu suspended on wires in a rehearsal for a live-action night show in Zhengzhou, Henan province, China on April 28, 2018. (Photo by Reuters/China Stringer Network)

In this Saturday, February 16, 2019 photo, carnival revelers dressed as characters from the movie “La Casa de Papel” pose for a picture during the “Desliga da Justica” block party in Rio de Janeiro, Brazil. “Desliga” means in Portuguese to turn something off, and this street party is a parody of the Justice League. (Photo by Leo Correa/AP Photo)

Amazon founder Jeff Bezos and his wife Lauren Sanchez Bezos during the Allen & Co. Media and Technology Conference in Sun Valley, Idaho, US, on Thursday, July 10, 2025. (Photo by Brendan McDermid
/Reuters)

Journalists practice social distancing outside a meeting to wrap up work on coronavirus economic aid legislation to prevent the spread of coronavirus disease (COVID-19) in Washington, U.S., March 21, 2020. (Photo by Mary F. Calvert/Reuters)

“Romain de Tirtoff (23 November 1892 – 21 April 1990) was a Russian-born French artist and designer known by the pseudonym Erté, the French pronunciation of his initials, R.T. He was a diversely talented 20th-century artist and designer who flourished in an array of fields, including fashion, jewellery, graphic arts, costume and set design for film, theatre, and opera, and interior decor”. – Wikipedia. Photo: Romain de Tirtoff (Erte) – “Symphony In Black” (please click to enlarge).

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)