“Li Wei (born in 1970, Hubei, China) is a contemporary artist from Beijing, China. His work often depicts him in apparently gravity-defying situations. Wei started off his performance series, Mirroring, and later on took off attention with his Falls series which shows the artist with his head and chest embedded into the ground. His work is a mixture of performance art and photography that creates illusions of a sometimes dangerous reality. Li Wei states that these images are not computer montages and works with the help of props such as mirror, metal wires, scaffolding and acrobatics”. – Wikipedia

Photo: Love at the high place I (Photo by Li Wei)

Randy Scott Slavin's photography is surrealism based in reality. His work portrays land and cityscapes in a 360 degree view, a perspective closer to that of the human eye than a 2D photograph, he says. Slavin's "Alternate Perspectives" is a series of photographs of a single location or landmark pieced together to create a 360 degree perspective in a flat image. The results are whimsical, and occasionally eerie, scenes that reflect the portion and scale of Slavin's surroundings when he took the photo.

Karezoid Michal Karcz is a photographer from Warsaw, Poland. He first started with painting, which helped him to develop a vision that was hard to create with other visual techniques. Then in early 90s discovered photography. His early fascinations of painting and photography have been combined into one piece, with the use of digital tools. Digital photography gave him the opportunity to generate unique realities that were impossible to be created with an ordinary dark room techniques.

MTV's “Ex On The Beach” star Jemma Lucy gives her neighbours an eyeful as she takes her bins out in her underwear in Manchester, UK on August 22, 2016. Jemma Lucy is well known in UK for her love of flashing more than a little bit of flesh on a night out. But the reality star took things a step further this week as she took out the bins wearing nothing but her bra and knickers. (Photo by XposurePhotos.com)

Kylie Jenner shows off a lot of cleavage in these new photos added to her Snapchat account on Thursday, August 25, 2016. Something that a lot of the 19-year-old reality star's fans pointed out was that her breasts looked larger than normal and she took to Twitter to explain why. Kylie said that she has “never” gotten her breasts done and that they look large because “it's that time of the month”. She even offered to let a fan feel them to prove that they are real! “They will deflate soon. And it will be a sad sad day”, Kylie added. (Photo by Scope Features)

Elena Chernyshova's vision of Norilsk, Russia, the northernmost city in the world, is a series of surprises by which she extracts otherworldly beauty from ugly realities. Here: 2013. A woman is visible through a narrow passageway between two buildings. Norilsk's urban spaces were designed to shorten distances around large developments and give residents maximum protection from arctic winds. (Photo by Elena Chernyshova)

Inspired by traditional Indian travelling photography studios, Arthur Crestani photographed the inhabitants of Gurgaon, a city built almost entirely by private companies. Arthur Crestani’s “Bad City Dreams” contrasts the glossy ideal sold by developers with urban reality. Here: Luxury Living Bhiwadi: “Sky Club on 18th Floor”. (Photo by Arthur Crestani/The Guardian)

The photos, created by Tito Mouraz in Portugal, look too surreal, and it takes a while to realize that these are actually not painting but reality. The way people can completely transform the terrain is very reminiscent of the way people tend to change themselves. Chip away the granite of their soul, turning it into something that fits their idea of perfection. However, in the end, most of them end up with an obscene parody of beauty, rather than something truly marvelous. The reason for it is probably that people are actually oblivious to the true image of beauty, making them stumble around in the dark, hoping to find something that might not exist at all. (Photo by Tito Mouraz)