My name is Jakub and I’m a painter, illustrator & concept artist who lives and work in Poland. My speciality is dark fantasy, character design, concept art and portrait. Since several years I work and paint digitally, but I never gave up traditional drawing and painting. For me the most important in my work, is create unique atmosphere and tell some kind of story through my creations.

Campari has officially unveiled the full imagery for the 2015 Calendar, entitled “Mythology Mixology”. This year’s iconic calendar, which stars the beautiful French born actress Eva Green, is the 16th edition in the collection and is dedicated to celebrating Campari’s unique and intriguing history and the intrinsic stories linked to twelve of its best-loved classic cocktails. Here: Eva Green poses for the month of July. (Photo by Julia Fullerton-Batten/Campari Calendar 2015)

Created by artist and unassuming local celebrity, Keith Jennings, the first tree spirit arrived on St. Simons Island in 1982. The old story goes that Keith negotiated his way out of a bar tab, hence, a tree priestess was born behind Murphy’s Tavern, on a blurry Saturday morning. In his own words, however, Keith states that his first tree spirit was created in the back yard of a place called, “The Animal Farm”. Either way, Keith Jennings has been known to cut the rug around here, no matter how you slice it.

Flossis by the artist Rosalie are known far beyond the boundaries of Dьsseldorf, Germany. In this city on the Rhine, the Flossis became famous. Many buildings’ outer walls are decorated with these figures. Flossis by Rosalie come in different variants of small to large and they are popular among young and old. Flossis are made of resin and resist temperatures under -15 degrees. Below that, they should be brought to the warm inside of the building. The currently most sold Flossi, is the “type I” in red, like shown in the following illustration.

Italian pencil artist Marco Mazzoni‘s work goes far beyond technical perfection. His representation of historical healing women is enigmatic and sublime. Often leaving the eyes blank or covered with an abundance of birds, butterflies and flowers, he gives the impression of a deeper inward focused sight, as well as obscuring the identity of the individual. Many female healers in the past – both medicine woman and midwives – were brutally persecuted by religion, some even burnt as witches… Mazzoni’s work captures their deep connection with nature and their innate power and femininity with delicacy and beautiful detail.