An arm holding a giant gun appears to explode through a wall, while elsewhere a man walks a tiger on a leash. These breathtaking pencil drawings are the work of 31-year-old artist Ben Heine, who lives and works in Rochefort, Belgium. The “anamorphic illusions”, part of the artist's “Pencil Vs Camera” series, appear slightly distorted unless viewed from the exact same perspective in which they were created. Photo: Visual artist Ben Heine at work in his studio while he creates one of his “anamorphic illusions” in Rochefort, Belgium. (Photo by Ben Heine/Barcroft Media)

In this April 23, 2015 photo, friends Jia Haixia, left, and Jia Wenqi work to plant a tree in a field in Yeli village near Shijiazhuang city in northern China's Hebei province. For the past 13 years, Jia Wenqi, who has no arms, and Jia Haixia, who is blind, have worked together to plant and water more than 12,000 trees near their village. (Photo by Helene Franchineau/AP Photo)

A group of dust covered child labourers gather for a portrait in the brick kiln in Kathmandu Valley, Nepal, 22 February 2015. Bleak photos identify the children working their fingers to the bone in Nepalís brick kilns. Photographer Jan Mˆller Hansen documented the conditions of the brick kilns in Kathmandu Valley, Nepal between 2013 and 2016 while he lived and worked in the area. Jan estimates between 150,000 and 175,000 people are employed in the 200 brick kilns littering the Kathmandu Valley. (Photo by Jan Moeller Hansen/Barcroft Images)

A worker settles mud in a mold to make bricks at a brick factory in Tixtla, on the outskirts of Chilpancingo, in the Guerrero state, January 26, 2015. The worker earns a salary of 15 Mexican pesos, or one dollar, for every 100 bricks made on a working day of at least 5 hours. (Photo by Jorge Dan Lopez/Reuters)

Moroccan photographer and filmmaker Achraf Baznani carries on the traditions of Surrealism with his wild, imaginative, and wholly impractical imagery. Among his inventive scenarios, small human figures—often the artist himself—appear trapped within glass jars or the size of a camera lens; in other works, Baznani more or less dissects his body, as for example, in one, he cleanly removes his brain from his cranium, or in another, twists off his hand, much as if it were a light bulb. Imparted throughout such works are strong senses of humor and wonder, and as such, Baznani’s art offers a Surrealistic take on life experience in the digital age.

A gallery staff member walks past Fleeting Monument (1985) by artist Cornelia Parker, one of the works on display at Yorkshire Sculpture Parks Longside Gallery as part of the “Making It: Sculpture in Britain 1977-1986” exhibition on March 27, 2015 in Barnsley, England. (Photo by Christopher Furlong/Getty Images)

Men work at a makeshift oil refinery site in Marchmarin town, southern countryside of Idlib, Syria December 16, 2015. The refinery site, owned by Yousef Ayoub, 34, has been active for 4 months. Ayoub says that he gets the crude oil from Islamic State-controlled areas in Deir al-Zor province and Iraq. The price for a barrel of crude oil varies and is controlled by the Islamic State, but it is currently at $44 dollars per barrel, he said. (Photo by Khalil Ashawi/Reuters)

Pope Francis meets Spider-Man, who presents him with his mask, at the end of his weekly general audience with a limited number of faithful in the San Damaso Courtyard at the Vatican, Wednesday, June 23, 2021. The masked man works with sick children in hospitals. (Photo by Andrew Medichini/AP Photo)