5-year-old Rina Kumari rubs her eye while cracking stones on the banks of Mahananda river in Siliguri, northeast India, March 5, 2005. Over 400 million people in India live below the internationally agreed poverty line (living on less than US $1 per day). According to estimates, several hundred thousand children work as labourers and beg on the streets in India. (Photo by Desmond Boylan/Reuters)

Mexico City resident Romina Montoya takes a playful selfie wearing a protective face mask over her eyes and nose, in Playa del Carmen, Quintana Roo state, Mexico, Wednesday, January 6, 2021. Concern is spreading that the critical winter holiday tourism success could be fleeting because it came as COVID-19 infections in both Mexico and the United States were reaching new heights. (Photo by Emilio Espejel/AP Photo)

In this Wednesday, January 23, 2019, an anti-government protester covers her face with a Venezuelan flag, and uses toothpaste around her eyes to help lessen the effect of tear gas, during clashes with security forces after a rally demanding the resignation of President Nicolas Maduro in Caracas, Venezuela. The head of Venezuela's opposition-run congress declared himself interim president at the rally, until new elections can be called. (Photo by Fernando Llano/AP Photo)

A herd of wildebeest cross the skyline against the fading light in Masai Mara, Kenya, 25 August 2017. Stunning sunset photos silhouette Africa’s wildlife against streaks of orange and red sky. In August, German photographer Ingo Gerlach was on safari in the Masai Mara when he convinced his safari guide to stop and take in the sunset. The wildlife photographer was rewarded with his patience by an eye-catching sunset, which cast Africa’s wildlife into dark shadows against the vibrant skies. (Photo by Ingo Gerlach/Barcroft Images)

Chieftain Japarupi Waiapi shows a roasted monkey -part of Waiapi's diet, also based in Manioc and fruits- at the reserve in Amapa state in Brazil on October 13, 2017. When Waiapis walks into the Amazon forest surrounding their village, they do not see trees, but a kind of shopping mall providing medicine, food, shelter, tools and weapons all under the eye of multiple spirits. (Photo by Apu Gomes/AFP Photo)

Farhad Moshiri, an Iranian artist working a lot with carpet media using it as a mean to joke about consumerism culture, was one of the participants of the group show Love Me Love Me Not of Yarat! pavilion curate by Dina Nasser-Khadivi (read on her curating Lalla Essaydi's Harem here) at Venice 2013 Art Biennial. The installation consists of more than 500 carpets depicting celebrities-covered magazines from all over the world.

Is it the surface of the Mars or Venus or an undiscovered planet? Not at all. These pictures aren’t what you think they are. Christopher Jonassen, a Norwegian photographer shot these beautiful and otherworldly series called ‘Devour of frying pan bottoms’, which are visually similar to craters and scars on a planet’s surface. In his series Jonassen refers to a quote of Jean-Paul Satre who said: ‘To eat is to appropriate destruction’ and the meaning of the word ‘devour’, which stands for eating up greedily, destroying, consuming, and wasting.

Artist Victor Nunes combines every-day objects with simple illustrations to turn them into pictures of faces, animals and other playful scenes. His images invite us to look at the world differently and find creative images in our surroundings. Nunes’ art is a great example of pareidolia, which is our propensity to give meaning to random objects (like in this post about seeing faces in random objects). It’s the reason why we associate a smiley face with a human face and why some of Nunes’ pieces of popcorn or bread resemble faces to us.