Chinese Kazakh eagle hunters sit on horseback as they travel to a local competition on January 29, 2015 in the mountains of Qinghe County, Xinjiang, northwestern China. The festival, organised by the local hunting community, is part of an effort to promote and grow traditional hunting practices for new generations in the mountainous region of western China that borders Kazakhstan, Russia and Mongolia. The training and handling of the large birds of prey follows a strict set of ancient rules that Kazakh eagle hunters are preserving for future generations. (Photo by Kevin Frayer/Getty Images)

Located in Kunshan, eastern China, the restaurant relies on over a dozen machines for tasks such as greeting customers, waiting on tables and cooking basic meals. The eatery becomes the third café in the world to rely on the use of robot employees, potentially giving a glimpse into how future businesses could operate. Photo: This photo taken on August 13, 2014, shows a robot carrying food to customers in a restaurant in Kunshan. It's more teatime than Terminator – a restaurant in China is electrifying customers by using more than a dozen robots to cook and deliver food. (Photo by Johannes Eisele/AFP Photo)

Have you ever heard of a psychological phenomenon which lets us easily understand words, even if the order of letters is mixed up, as long as the first and last letters remain in their rightful place? Similarly, the art works of Michael Turner use only two colors to highlight the main futures of well-recognized superheroes, allowing our imagination to create the rest of the picture. The colors used in the pictures weren’t chosen at random. They perfectly reflect the key characteristics of the superheroes that they depict. For example, the picture of Flash uses red and yellow colors, which are exactly the colors of his costume. While the picture of Green Lantern is, you’ve guessed it, green and black. (Photo by Michael Turner)

Hot Tub Cinema is an experience like no other. Combining relaxing hot tubs, great films and amazing spaces, it is a luxurious event that celebrates film in a fun and engaging way. Attendees can purchase whole tubs to share with friends or buy individual tickets to share with fellow hot tubbers. The tubs are cleaned, refilled and heated before every show. Popping-up throughout the year in London and around the UK, Hot Tub Cinema is also preparing to tour internationally in the near future. During the summer, we takeover rooftops in central London with astounding views across the city's inimitable skyline. For the autumn/winter we move indoors to continue the fun hidden away from the unpredictable weather.

This undated image provided by World View shows World View capsule and balloon spacecraft that will rise to 100,000 feet above Earth for passengers to see the curvature of the planet and the blackness of space. Space tourism companies are employing designs including winged vehicles, vertical rockets with capsules and high-altitude balloons. While developers envision ultimately taking people to orbiting habitats, the moon or beyond, the immediate future involves short flights into or near the lowest reaches of space without going into orbit. (Photo by World View via AP Photo)

In northwest Russia, in a small village called Alekhovshchina, Nadia Sablin's aunts spend the warmer months together in the family home and live as the family has always lived, chopping wood to heat the house and making their own clothes. Sablin's book of photographs, “Aunties: The Seven Summers of Alevtina and Ludmila”, is published by Duke University Press. Here: “Two-Handed Saw, 2014”. (Photo by Nadia Sablin)

Syrian refugee girl Nur El-Huda, 9, shows a drawing of her home in Syria, in her classroom in Yayladagi refugee camp in Hatay province near the Turkish-Syrian border, Turkey, December 16, 2015. Syria's conflict has left hundreds of thousands dead, pushed millions more into exile, and had a profound effect on children who lost their homes or got caught up in the bloodletting. The drawings of young refugees living in Turkey show their memories of home and hopes for its future. The pictures also point to the mental scars borne by 2.3 million Syrian refugees living in Turkey, more than half of them children. (Photo by Umit Bektas/Reuters)

Associated Press photographer Wong Maye-E tries to get her North Korean subjects to open up as much as is possible in an authoritarian country with no tolerance for dissent and great distrust of foreigners. She has taken dozens of portraits of North Koreans over the past three years, often after breaking the ice by taking photos with an instant camera and sharing them. Her question for everyone she photographs: What is your motto? Their answers reflect both their varied lives and the government that looms incessantly over all of them. (Photo by Wong Maye-E/AP Photo)