The last series of Sam Taylor-Wood's that I have looked into is called Bram Stoker's Chair. This series links with her Suspended series in that they both show the artist seemingly poised in mid-air. These photos have the added element of the chair being there for her to balance on, giving her more of a physical connection with her surroundings.

I’m an illustrator based in South Wales, UK. I work in pen and ink, creating original illustrations for record cover artwork, shirt design and poster art.

"I am completely inspired by the natural world. Beauty is everywhere. It is the growth of the forest, the depth of the sea, and the curve of the bone. It is skin, scales, bark, and tide pool ripples. It is texture, and it is raw. I am a translator of life, and I am compelled to narrate it."

Tattoos always seem to fascinate us, which is probably one of the reasons why Dionne Marshall has turned to tattooing patterns onto leather. The designs she creates are reminiscent of tattoos favored by people in Central America. Working with leather is a lot harder than working with paints or pencils. Unlike the latter, there is no room for mistakes when you make a tattoo. This is the reason why there are so few artists that specialize in creating art by tattooing leather. However, the results are definitely worth it, as this is a truly unique form of art with a primal feeling to it. (Photo by Dionne Marshall)

There is nothing more endearing than seeing true friendship and love. Especially, if it as improbable as that of a big dog and a tiny kitten. Somehow, animals feel when they are dealing with a baby. For example, no matter how much a toddler will tug on the tail of a cat and play roughly with it, it will never or very rarely fight back. This set of pictures taken by Jessie Pon shows a tiny kitten mistaking an adult golden retriever for his mother. Though it may hurt the dog’s nose with its sharp claws, the dog does nothing to harm the kitty. On the contrary, it’s watching over the kitty-cat as if it were her own puppy. (Photo by Jessie Pon)

Have you ever heard of a phenomenon called the Uncanny Valley? Illustrations created by Swiss illustrator Christo Dagorov show how horrible something may look when it’s a hair’s breadth away from looking human. In his illustrations he combined the shape of human lips with trees, buildings, and even human bodies, making it look from a distance as if the lips were horribly deformed by some unknown disease. However, after a while you make out the shapes, yet the feeling of uneasiness remains, making you shiver from unsuppressable disgust. (Photo by Christo Dagorov)