On August 31, 2012, a long filament of solar material that had been hovering in the sun's atmosphere, the corona, erupted out into space at 4:36 p.m. EDT. The coronal mass ejection, or CME, traveled at over 900 miles per second. The CME did not travel directly toward Earth, but did connect with Earth's magnetic environment, or magnetosphere, causing aurora to appear on the night of Monday, September 3. (Photo by NASA/GSFC/SDO via The Atlantic)

The launch of a rocket into space is projected on Dubai's Burj Khalifa on February 9, 2021 as the UAE's “Al-Amal” – Arabic for “Hope” – probe's to Mars carries out a tricky manoeuvre to enter the Red Planet's orbit. A tense half-hour today will determine the fate of “Hope”. If successful, the probe which is designed to reveal the secrets of Martian weather, will become the first of three spacecraft to arrive at the Red Planet this month. (Photo by Giuseppe Cacace/AFP Photo)

A man reacts inside the projection mapping and interactive installation known as “Illusion Road” at the multi-dimensional media art gallery Immersify KL in Kuala Lumpur, Malaysia, 04 March 2025. Immersify KL attracts visitors with interactive installations, high-definition visuals, and 3D spatial sound, creating breathtaking zones, including the country's first 360-degree, 12-meter-high projection space inside a 30,000-square-foot area with 11 sections of different immersive zones. (Photo by Fazry Ismail/EPA)

“A prototype lunar lander was destroyed on August 9, 2012, at Kennedy Space Center during its first free flight”. – James Dean via Florida Today

Photo: Morpheus Ground Level Hot Fire. Photo Date: April 2nd 2012. Location: VTB Flight Complex; Photographer: Joe Bibby

American artist Kurt Wenner creates unparalleled three-dimensional drawings on asphalt streets and of floor. Kurt – A former employee of NASA, which is the love of the art of the Renaissance left the space agency and left to raise the artistic skills in Rome. Has a variety of awards in the arts. Here is a selection of his works made in different cities around the world.

In his series of untitled photographs Nobody Claps Anymore, the Mexican-American photographer Alec Dawson portrays ordinary people in their homes in a downbeat, ultra-stylised manner. Staring into space as they watch TV or water the garden, the real-life subjects of photographer hint at vast reserves of boredom and regret. (Photo by Alec Dawson)