“Tilt-shift photography” refers to the use of camera movements on small- and medium-format cameras, and sometimes specifically refers to the use of tilt for selective focus, often for simulating a miniature scene. Sometimes the term is used when the shallow depth of field is simulated with digital post processing; the name may derive from the tilt-shift lens normally required when the effect is produced optically.

For his Behind a Little House Project Italian photographer Manuel Cosentino found an unsuspecting muse: a tiny nondescript house on an unexceptional hill. He returned to photograph the small building from the exact same location for nearly two years in order to capture the dramatic changes in weather and light that utterly changed the scenery just beyond the horizon

A fog bow is a similar phenomenon to a rainbow; however, as its name suggests, it appears as a bow in fog rather than rain. Because of the very small size of water droplets that cause fog—smaller than 0.05 millimeters (0.0020 in)—the fog bow has only very weak colors, with a red outer edge and bluish inner edge.

A Carlsbad,Calif. police officer turns traffic away as flames leap behind him Wednesday, May 14, 2014, in Carlsbad, Calif. Weather conditions that at least temporarily calmed allowed firefighters to gain ground early Wednesday on a pair of wildfires that forced thousands of residents to leave their homes. (Photo by AP Photo)

Nurse's Home, North Brother Island, New York. Photographer Christopher Payne specializes in the documentation of America’s vanishing architecture and industrial landscape. His new book, North Brother Island: The Last Unknown Place in New York City, explores an uninhabited island of ruins in the East River of New York City. (Photo by Christopher Payne)

July 23, 2013 – Kampala, Uganda. Helene and Diana train daily more than 2.5 hours by Innocent Kapalata, a passionate and ambitious former boxer. Amidst the shanty homes a group of ambitious fighters are trying to reach for a better life. (Photo by Peter Bauza/ZUMA Press/VISUAL Press)

At the end of a six-year relationship, photographer Laura Stevens needed to find a creative, external outlet for all the complicated feelings she was processing internally. “Another November” is the end product, a photo series that aims to mirror those agonizing emotions that Stevens felt at the time of the breakup – and the subsequent healing process. Here: “Jessica” is photographed at her Paris home in this scene staged by photographer Laura Stevens. (Photo by Laura Stevens)