Members of the Legio X Fretensis (Malta) re-enactment group take part in a display of ancient Roman army life at Fort Rinella in Kalkara, outside Valletta, March 22, 2015. The event “Romanus”, organised by the Malta Heritage Trust, consisted of talks, hands-on displays, static exhibitions of weapons and equipment, food and wine tasting and large-scale re-enactments depicting different forms of Roman warfare in the field. (Photo by Darrin Zammit Lupi/Reuters)

Japan's computer giant Fujitsu employee displays the world's first personal computer with Intel's RealSense 3D camera “FMV Esprimo” in Tokyo on October 9, 2014. The new desktop PC with 23-inch LCD display can make avatars which mimic the user's look and motion for chatting on the Internet. (Photo by Yoshikazu Tsuno/AFP Photo)

“The Queen” painted fibreglass by artist John Humphreys is displayed backdropped by other works which feature in this year's Summer Exhibition on it's 250th year at the Royal Academy of Arts in London, Tuesday, June 5, 2018. The Summer Exhibition has been held since 1769, with around 1300 works on display this year and most of them available for purchase. It runs from June 12 until August 19. (Photo by Matt Dunham/AP Photo)

J. Schwartz (C) and Marianne Wittelsberger (2nd R) of Consumer Watchdog dress as members of the “Google Track Team” in a hallway of the Dirksen Senate Office Building prior to a hearing on Google September 21, 2011 on Capitol Hill in Washington, DC. Members of Consumer Watchdog attended the antitrust hearing dressed as the “Google Track Team” in white tracksuits emblazoned with Google's motto, “Don't be evil”, wearing “Wi-Spy” glasses and pretending to track unsuspecting people during the event. (Photo by Alex Wong/Getty Images)

“Natural History” is a series of completely candid single exposure images that merge the living and the dead to create allegorical narratives of our troubled co-existence with nature. Ghost-like reflections of modern visitors viewing wildlife dioramas are juxtaposed against the antique taxidermied subjects housed behind thick glass, their faces molded into permanent expressions of fear, aggression or fleeting passivity. After decades of over-hunting, climate change, poaching and destruction of habitat, many of these long dead diorama specimens now represent endangered or completely extinct species”. – Traer Scott. (Photo by Traer Scott)

Moroccan photographer and filmmaker Achraf Baznani carries on the traditions of Surrealism with his wild, imaginative, and wholly impractical imagery. Among his inventive scenarios, small human figures—often the artist himself—appear trapped within glass jars or the size of a camera lens; in other works, Baznani more or less dissects his body, as for example, in one, he cleanly removes his brain from his cranium, or in another, twists off his hand, much as if it were a light bulb. Imparted throughout such works are strong senses of humor and wonder, and as such, Baznani’s art offers a Surrealistic take on life experience in the digital age.

St Mary's Cathedral is illuminated as part of a Christmas lights display in celebration of Christmas on December 19, 2014 in Sydney, Australia. (Photo by Brendon Thorne/Getty Images)