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Praia du Forte, Bahia. “This was the lead picture for a National Geographic story on Bahia, because it was both mysterious as well as a “geography” picture showing where the slaves arrived from Nigeria. Beach pictures seem like they should be easy to take, but for me they are actually quite difficult. Too easy to fall into cliche. When I saw the kid coming on the horse, I quickly ran to see if I could make something with a woman in a bikini that was not a bikini shot”. (Photo by David Alan Harvey/The Guardian)

Praia du Forte, Bahia. “This was the lead picture for a National Geographic story on Bahia, because it was both mysterious as well as a “geography” picture showing where the slaves arrived from Nigeria. Beach pictures seem like they should be easy to take, but for me they are actually quite difficult. Too easy to fall into cliche. When I saw the kid coming on the horse, I quickly ran to see if I could make something with a woman in a bikini that was not a bikini shot”. (Photo by David Alan Harvey/The Guardian)
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20 Aug 2016 11:35:00
Kyaiktiyo, Burma, 1978. The Golden Rock at Shwe Pyi Daw (the Golden Country), the Buddhist holy place. Hiroji Kubota writes: “I was desperate to keep a distance from America for a while; luckily, I found Burma and its gentle and compassionate people. In the spring of 1978, on the top of the hill where I took this photo, I had two Leica bodies: the one with Tri-X and the other with Kodachrome 64. Soon after, I realised that the colour one looked very colourful and was more powerful. That was my decisive moment, to become a colour photographer”. (Photo by Hiroji Kubota/Magnum Photos)

Kyaiktiyo, Burma, 1978. The Golden Rock at Shwe Pyi Daw (the Golden Country), the Buddhist holy place. Hiroji Kubota writes: “I was desperate to keep a distance from America for a while; luckily, I found Burma and its gentle and compassionate people. In the spring of 1978, on the top of the hill where I took this photo, I had two Leica bodies: the one with Tri-X and the other with Kodachrome 64. Soon after, I realised that the colour one looked very colourful and was more powerful. That was my decisive moment, to become a colour photographer”. (Photo by Hiroji Kubota/Magnum Photos)
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10 Jun 2016 13:30:00
Ismail Mustafa, seen in 2007. “I was collecting mushrooms on the hill near here. I didn’t see the mine. There was a huge explosion. When I woke up I saw that both my legs were gone; I thought my life was over. My brother and another guy were with me. They made a stretcher from sticks and tied it together with clothing. It took two hours to get off the mountain. ‘My daughter has also been injured. She found a shell and brought it into the house and put it on the fire. She didn’t know what she was doing at the time – she was only three. She is blind and has lost an arm”. (Photo by Sean Sutton for the Mines Advisory Group/The Guardian)

Ismail Mustafa, seen in 2007. “I was collecting mushrooms on the hill near here. I didn’t see the mine. There was a huge explosion. When I woke up I saw that both my legs were gone; I thought my life was over. My brother and another guy were with me. They made a stretcher from sticks and tied it together with clothing. It took two hours to get off the mountain. ‘My daughter has also been injured. She found a shell and brought it into the house and put it on the fire. She didn’t know what she was doing at the time – she was only three. She is blind and has lost an arm”. (Photo by Sean Sutton for the Mines Advisory Group/The Guardian)
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08 Sep 2017 09:33:00
Jessica Hilltout : Amen-Grassroots Football

The images in Jessica Hilltout‘s Amen tell a gripping story of the joy soccer provides for Africa’s less fortunate. Inspired by her father, Hilltout set off to photograph soccer in Africa in all its shapes and sizes, coming to the conclusion that “the beautiful game exists in its purest form in what I saw — people playing for the joy of playing.”
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18 Oct 2012 10:49:00
A Kevo smart lock is demonstrated during the 2015 International Consumer Electronics Show (CES) in Las Vegas, Nevada January 4, 2015. The lock, which opens with a smart phone App and a touch, is smart enough to know what side of the door you are on and won't accidentally unlock the door when you are inside. A new subscription service offers unlimited e-keys and other benefits, a representative said. (Photo by Steve Marcus/Reuters)

A Kevo smart lock is demonstrated during the 2015 International Consumer Electronics Show (CES) in Las Vegas, Nevada January 4, 2015. The lock, which opens with a smart phone App and a touch, is smart enough to know what side of the door you are on and won't accidentally unlock the door when you are inside. A new subscription service offers unlimited e-keys and other benefits, a representative said. (Photo by Steve Marcus/Reuters)
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09 Jan 2015 12:31:00
The supermoon rises behind Glastonbury Tor on September 27, 2015 in Glastonbury, England. Tonight's supermoon, so called because it is the closet full moon to the Earth this year, is particularly rare as it coincides with a lunar eclipse, a combination that has not happened since 1982 and won't happen again until 2033. (Photo by Matt Cardy/Getty Images)

The supermoon rises behind Glastonbury Tor on September 27, 2015 in Glastonbury, England. Tonight's supermoon, so called because it is the closet full moon to the Earth this year, is particularly rare as it coincides with a lunar eclipse, a combination that has not happened since 1982 and won't happen again until 2033. (Photo by Matt Cardy/Getty Images)
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02 Oct 2015 08:06:00
The Museum of Feelings doesn't really have “exhibits" in the conventional sense; rather, visitors move from one themed alcove to another, five in total, each with its own distinctive aroma.  (Photo by Stephanie Keith/Reuters)

The Museum of Feelings doesn't really have “exhibits" in the conventional sense; rather, visitors move from one themed alcove to another, five in total, each with its own distinctive aroma. The “Optimistic Room," bathed in vivid pink and purple light, is little more than a lightshow, with patrons using small reflective panels to bounce light around the room. Here: People interact in the “optimistic” room at the Museum of Feelings, a pop-up installation in New York, December 15, 2015. (Photo by Stephanie Keith/Reuters)
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19 Dec 2015 08:00:00
In this January 25, 2013 photo, snake handler Saintilus Resilus holds a snake in front of his lips as he trains the snake to recognize his smell as he prepares for his street performances during the pre-Lenten Carnival season, at his home in Petionville, Haiti. Resilus sees himself as something of a performance artist, showing off with snakes and other animals that Haitians don't see every day, earning tips from impromptu audiences. (Photo by Dieu Nalio Chery/AP Photo/Matt Dayhoff)

In this January 25, 2013 photo, snake handler Saintilus Resilus holds a snake in front of his lips as he trains the snake to recognize his smell as he prepares for his street performances during the pre-Lenten Carnival season, at his home in Petionville, Haiti. Resilus sees himself as something of a performance artist, showing off with snakes and other animals that Haitians don't see every day, earning tips from impromptu audiences. (Photo by Dieu Nalio Chery/AP Photo via Matt Dayhoff)
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02 Feb 2013 10:11:00