Migrants scramble aboard a train at the station in Beli Manastir, Croatia September 18, 2015. Migrant numbers in Europe will build up in coming days and their flows may fragment further into new routes, the U.N. refugee agency said on Friday, urging the European Union to grasp a last chance to resolve the refugee crisis next week. (Photo by Laszlo Balogh/Reuters)

Miguel Toribio, 11, puts a pistol belonging to his father into his belt, before demonstrating newly learnt skills from military-style weapons training, to a Reuters journalist in Ayahualtempa, Mexico, February 3, 2020. (Photo by Alexandre Meneghini/Reuters)

A Philippine boy collects used plastic bottles to be sold at a junk shop at Divisoria market in Manila on November 29, 2017. (Photo by Noel Celis/AFP Photo)

Everly Base, six, sees the funny side of a TV carol-singing performance with her classmates in which her father had dared her to cross her eyes while she sang in Yate, Gloucestershire, UK on December 19, 2024. (Photo by Tom Wren/South West News Service)

A chicken seller carries his chickens on his head in the market in Peshawar, Pakistan, August 20, 2015. (Photo by Khuram Parvez/Reuters)

In this photo taken Monday, March 5, 2018, s*x worker Irene sits in her brothel in Juba, South Sudan. As World Women's Day is to be marked across the globe and women across much of the Western world have galvanized around the #MeToo movement, South Sudan remains a place where women face grinding difficulties and rights experts say most women remain voiceless. (Photo by AP Photo/Stringer)

A man dressed up as a "Catrin", a Mexican character also known as "The Elegant Death", is pictured during a Catrinas parade in Mexico City October 31, 2015. (Photo by Carlos Jasso/Reuters)

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)