Soviet Army soldiers sit on their tanks in front of the Czechoslovak Radio station building in central Prague during the first day of Soviet-led invasion to then Czechoslovakia on August 21, 1968. (Photo by Libor Hajsky/Reuters)

Parts of the Royal Chariot, which will be used during the late King Bhumibol Adulyadej's funeral later this year is seen at the National Museum in Bangkok, Thailand, February 6, 2017. (Photo by Chaiwat Subprasom/Reuters)

Director Taro Kambe directs as he watches acting with VR headset during a rehearsal for ROCKET's 3D virtual reality adult film at the company's studio in Tokyo, Japan, July 31, 2017. Japan is the world's second biggest virtual reality market after the United States and the adult entertainment industry and gaming sector are turning to VR as a new way to distribute content. (Photo by Kim Kyung-Hoon/Reuters)

Ed Sheeran, Taylor Swift and Selena Gomez attend The 58th GRAMMY Awards at Staples Center on February 15, 2016 in Los Angeles, California. (Photo by Kevin Mazur/WireImage)

A Vietnamese woman, wearing the traditional “ao dai” long dress, poses for photos along peach blossom flowers ahead of the Vietnamese “Tet” (Lunar New Year festival), in a field in Hanoi, Vietnam, February 2, 2016. (Photo by Reuters/Kham)

Aerobatic pilot Sean D. Tucker flies in the two-seat Oracle Extra airplane over downtown Chicago skyline, Wednesday, June 8, 2016. Tucker will perform before the start of of the America's Cup World Series racing on Saturday and Sunday. (Photo by Kiichiro Sato/AP Photo)

A woman looks towards part of an artwork called “Lichen! Libido! (London!) Chastity!” by Anthea Hamilton, one of the four artists shortlisted for the Turner Prize 2016, as it is displayed at the Tate Britain gallery in London, Monday, September 26, 2016. The Turner Prize aims to promote public debate around new developments in contemporary British art. (Photo by Kirsty Wigglesworth/AP Photo)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)