A vehicle lies on a road in Adairsville. (Photo by David Goldman/Associated Press)

Photographer John Maher, once the drummer with punk bank Buzzcocks, travelled to the Outer Hebrides to photograph abandoned crofters’ cottages – many of which, like this one, have seemingly been untouched since. Here: “Peat Fire”. Taken in March 2013 on the east coast of Harris. The fire is from muir-burning, when farmers burn off grasses and heather to improve grazing for their sheep. (Photo by John Maher/The Guardian)

Offset and Cardi B are seen on July 17, 2019 in Los Angeles, California. (Photo by PG/Bauer-Griffin/GC Images)

American model and television personality Amelia Hamlin is seen attending The Annual Frame Fashion Week dinner during NYFW on September 09, 2024 in New York City. (Photo by Rachpoot/Bauer-Griffin/GC Images)

US actress Glenn Close, US actress Sarah Paulson, US actress Teyana Taylor, US reality TV personality Kim Kardashian, US actress Niecy Nash-Betts and British actress Naomi Watts pose during a photocall for the premiere of “All's Fair” TV series in Paris on October 21, 2025. (Photo by Bertrand Guay/AFP Photo)

Fabrice Monteiro travelled to the most polluted places in Africa and created terrifying characters who roamed their midst dressed in eerie debris. They are spirits, he says, on a mission to make humans change their ways. Informed by Africa’s environmental problems, Fabrice Monteiro’s photographs aim to highlight urgent ecological issues all over the world. His series “The Prophecy” is on show at Photo Basel 2017 until 18 June. (Photo by Fabrice Monteiro/Photo Basel 2017/Mariane Ibrahim Gallery/The Guardian)

March 11, 2008 Swiss car manufacturer Rinspeed made quite the splash at the Geneva Motor Show with its innovative sQuba, a fully functional submersible concept car that cost $1.5 million to build. (Photo by Rinspeed)

Istanbul-based Ali Gulec is a graphic artist with a difference. His surreal illustrations are like identikit drawings aiming to prosecute the material arts. Working on the margins of what is possible with his medium, Gulec's forms, figures, and situations are remarkable for their clarity and strength of purpose, and maintain an iconographic intensity that would make any rock band bereft of an album cover salivate with admiration.