A man bathes at a roadside in a market area after authorities in the capital ordered a weekend curfew, following the rise in the coronavirus disease (COVID-19) cases, in the old quarters of Delhi, India, January 8, 2022. (Photo by Adnan Abidi/Reuters)

A fisherman transports a shark and other fish with his ride to the traditional fish market in Lampulo, Aceh, Indonesia, 12 April 2018. The fishing industry is one of Indonesia's largest economic contributor, with almost half of the country's population working in the sector. (Photo by Hotli Simanjuntak/EPA/EFE)

A man transports chicken on a motorscooter to the chicken market in Kathmandu, Nepal, 07 February 2023. Cases of bird flu, or avian influenza, infections have been confirmed in three places in the Kathmandu Valley, according to the Ministry of Agriculture and Livestock Development (MoALD), causing a drop in sales of chicken in the valley after the spread of the flu news. (Photo by Narendra Shrestha/EPA)

Sellers prepare the camel for “huge camel market” where hundreds of camels are sold in Nauakchott, the capital of Mauritania on May 16, 2023. Camels, being the main source of livelihood in Arab countries, are used for transportation and nutrition. (Photo by Annika Hammerschlag/Anadolu Agency via Getty Images)

The sun rises this morning behind the 173ft spire of St Mary's church in the market town of Whittlesey in Cambridgeshire, UK on February 17, 2024. The church dates from the 13th century with the Ashlar faced tower added in the 15th century. (Photo by Andrew McCaren/London News Pictures)

Visitors ride a swing attraction during the Hochheim Market in Hochheim, Germany on November 11, 2025. The traditional autumn fair has been held for more than 500 years. (Photo by Matias Basualdo/ZUMA Press Wire/Rex Features/Shutterstock)

Moroccan photographer and filmmaker Achraf Baznani carries on the traditions of Surrealism with his wild, imaginative, and wholly impractical imagery. Among his inventive scenarios, small human figures—often the artist himself—appear trapped within glass jars or the size of a camera lens; in other works, Baznani more or less dissects his body, as for example, in one, he cleanly removes his brain from his cranium, or in another, twists off his hand, much as if it were a light bulb. Imparted throughout such works are strong senses of humor and wonder, and as such, Baznani’s art offers a Surrealistic take on life experience in the digital age.