In this photo taken October 16, 2012 and provided by Oracle Team USA, crew members of the capsized Oracle Team USA AC72 boat are rescued after being swept past the Golden Gate Bridge in San Francisco. The America's Cup champion syndicate is assessing the damage to its 72-foot catamaran, after it capsized and was swept by a strong current more than four miles past the Golden Gate Bridge before rescue boats could control it. (Photo by Guilain Grenier/Oracle Team USA/Associated Press)

Teams face off in the Cartier Elephant Polo Cup November 18, 2006 in Jaipur, in the Indin state of Rajasthan. Cartier hosted the event which was held to highlight the plight of the dwindling numbers of Asian elephants. Indian and international celebrities flew in the India's “Pink City” for the high society event held by the global watch and jewelry giant. The animal rights organization, People for the Ethical Treatment of Animals, “PETA” had planned to protest the match, saying that elephants should not be used for sport. Elephants in Jaipur are commonly used for carrying tourists at historic sites. (Photo by John Moore/Getty Images)

As Russia puts the finishing touches to the carefully manicured fields that will host the World Cup from next week, people around the globe are playing soccer on a surprising variety of makeshift pitches. Off the coast of an island in southern Thailand, they play on a floating platform; in the mountains of northern Italy, they kick about in the snow – images captured by Reuters photographers around the world. Here: Local residents play soccer on the top floor of a parking garage in Jakarta, Indonesia, May 4, 2018. (Photo by Darren Whiteside/Reuters)

Earlier this year, Belgian film-maker and artist Vincent Bal stumbled upon an uncanny resemblance to an elephant in the shadow of his tea cup. This gave him the idea for Shadowology, a series of doodles that interact with the shadows of simple, everyday objects: a banknote, some ice cubes and a flower, for example, can turn into a church, a woman and a hippy. “I draw a few lines and I get my image. It’s really the shadows that inspire me”, Bal says. Here: “Stonedog”. (Photo by Vincent Bal/The Guardian)

Humanoid robots compete in a group match of the 20th RoboCup in Leipzig, Germany, June 30, 2016. About 3,500 participants from 45 countries and regions compete in the robot world championship until 04 July. (Photo by Sebastian Willnow/EPA)

“Wong Maye-E joined AP as a staff photographer in 2003. Based in Singapore, Maye-E's work is centered around Sports reportage, entertainment, politics, and regional news stories. Maye-E has covered headlining events such as the 2014 World Cup, Thailand political protests, and the devastation of the Philippines Typhoon”. – Associated Press. Photo: A baby black howler monkey (Alouatta caraya) clings onto its mother's back on Thursday January 29, 2009 in Singapore where it's national zoo is actively involved in the conservation and education of wildlife reserves. (Photo by Wong Maye-E/AP Photo)

These hyper realistic drawings are so lifelike they could pass for photographs. The incredibly detailed works of art were created by self-taught artist Ivan Hoo, from Singapore, who earns a living from his realistic drawings and paintings. The 31-year-old takes up to three days to complete the impressive pieces, which include animal portraits and still life drawings of everyday items such as a Starbucks cup. The A3 sketches are completed using a range of soft pastel pencils and are drawn from still life, or a photograph taken by Ivan himself. Here: Ivan Hoos drawing of a pug. (Photo by Ivan Hoo/Caters News)

While the lido was described as bringing “modernism to the masses” on the British coast it was just the latest example of a trend that had been developing since Victorian times – transforming seaside towns into resorts for leisure and entertainment. In the latter half of the nineteenth century, the fashion was for local authorities to build great piers stretching from the promenade out into the sea. The Eastbourne Pier, pictured here in May 1931, was erected between 1866 and 1870 to an ingenious design by Eugenius Birch, which saw the structure sitting on special cups allowing the supporting struts to “move” in bad weather. Arranged on the pier's 1,000-foot length were kiosks, a theatre, a ballroom and a camera obscura. 1931. (Photo by Aerofilms Collection via “A History of Britain From Above”)